The world’s most famous (and powerful) oracle resided at Delphi, high up the slopes of Mount Parnassus in the Temple of Apollo. In ancient times, supplicants would wind up the mountainside, patiently hoping for words of wisdom from the priestess (called the Pythia) in the temple’s adyton (inner chamber). Corbis

Archaeologists are good at recovering things left behind by the past, such as buildings, incense altars, tools and relief carvings. What they are not so good at recovering are the ideas, feelings and emotions—the innerness—of sentient ancient beings. It’s one thing to examine a temple’s holy of holies; it’s another thing to understand what went on there and what people experienced. Sometimes, however, there’s an exception to the rule.

Numerous classical authors report that natural phenomena played an essential part in one of their most sacred religious rituals: the oracle at Delphi. According to the geographer Strabo (c. 64 B.C.–25 A.D.), for example, “the seat of the oracle is a cavern hollowed down in the depths … from which arises pneuma [breath, vapor, gas] that inspires a divine state of possession” (Geography 9.3.5). Over the past five years, a team of researchers—a geologist, an archaeologist, a chemist and a toxicologist—has put that claim to the test, making it much more likely that we will actually understand what happened at Delphi.

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When ancient Greeks and Romans had to make decisions, they consulted the gods—by drawing lots, casting dice, interpreting dreams and analyzing such signs as sneezes, thunderbolts and flying birds. But for matters of the utmost importance, they sought to hear the words of the gods in the mouths of oracles.^a

Pythias were virgins who dedicated their lives to prophesying on behalf of the god Apollo. The first Pythia is said to have been the goddess Themis, who is depicted on a fifth-century B.C. cup (shown here) sitting on a tripod and holding a bowl and a sprig of laurel (Apollo’s sacred tree). According to Strabo (c. 64 B.C.–25 A.D.) and other sources, the Pythia was inspired by mysterious vapors, though these accounts have been largely ignored by modern researchers. Now, however, a team of archaeologists and geologists have proved that the Temple of Apollo sat directly above fault lines that likely released intoxicating carbon-based gases into the adyton. Was this the oracle’s secret?

Paradoxically, in male-dominated classical Greece the most influential voice, the Delphic oracle, belonged to a woman. The oracular temple was perched on the south slope of Mount Parnassus, surrounded by high cliffs, about 75 miles west of Athens. Getting to Delphi required either a long trek across the mountains or a sea voyage to the north shore of the Gulf of Corinth. However difficult the journey, thousands of visitors sought guidance from the holy woman, called the Pythia,^b who spoke on behalf of the gods.

The Pythia dealt less in visions of the future than in right choices: where to locate a new colony, when to attack an enemy, how to lift a curse, whom to choose as leader, what offering to make to which god. No kingdom, city or private person could afford to make critical decisions without consulting the Pythia. Thanks to her prestige, Delphi became the richest and most famous Hellenic sanctuary. The Greeks called it the omphalos, or “navel of the world.”

How could a mere mortal command such respect? The answer lies in the belief that Apollo—the god of revelation and inspiration—used the Pythia as his mouthpiece, taking possession of her during oracular sessions. The Pythia would fall into a trance, and the words she spoke were supposedly those of Apollo, delivered in a voice very unlike her normal tones.

Most scholars believe the Delphic oracle was established around the eighth century B.C., when founders of new colonies would consult the Pythia before setting out for the western Mediterranean, North Africa, Asia Minor or the Black Sea. The origins of the oracle are recounted in a story about a goatherd named Koretas, who pastured his flock on the slope of Mount Parnassus. Koretas noticed that when the goats grazed near a certain fissure in the mountainside, they began to bleat strangely. Approaching the fissure, he was filled with a prophetic spirit. Eventually, a woman—the first Pythia—was appointed to sit on a tripod over the cleft and give prophecies. Before she could mount the tripod, however, a goat had to be sacrificed to ensure that the day was propitious.

Image: Frank Ippolito.

During the classical period, supplicants would line up at dawn to walk along the Sacred Way, a steep path snaking up through the sanctuary toward the Temple of Apollo. The priests and temple attendants determined the order of the queue, giving priority to state embassies and then working their way down through military commanders, athletes, poets and, last of all, mere heads of families concerned about a child or an investment. The supplicants filed past bronze statues, war monuments and treasure houses dedicated in the past by grateful visitors. It would have been late in the day by the time the ordinary men at the rear reached the terrace of the temple and viewed the famous inscriptions, “Know Thyself” and “Nothing in Excess.”

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From here the way led up a ramp to a great colonnade of Doric columns, and then through a double door into the temple itself. Inside burned a constant pinewood fire tended by women of Delphi. The final approach to the oracle led downward into a sunken space below the level of the temple floor, where the visitor would be confronted by a gold statue of Apollo and the omphalos stone that marked the sacred spot. The Pythia sat in a recessed inner sanctum called the adyton, a Greek word meaning “not to be entered.” Standing outside the adyton, visitors would ask their questions and await the response.

Unlike itinerant prophets and omen-interpreters, the Pythia derived her power from the place—she could only prophesy while seated in the adyton within the Temple of Apollo. According to Strabo, the pneuma arose from a small opening (chasma ges) in the adyton: “Over the mouth [of the opening] a high tripod is set. Mounting this, the Pythia inhales the pneuma and then speaks prophecies in verse or in prose. The latter are versified by poets on duty in the temple” (Geography 9.3.5.).

Strabo was not the only ancient source to describe the adyton and the intoxicating gas. The second-century A.D. traveler Pausanias told of a spring in the temple’s adyton that made the Pythia prophetic. Also, in On the Obsolescence of the Oracles, the biographer Plutarch (c. 46–120 A.D.), who served as a priest of Apollo at Delphi, described an exhalation of vapor in the adyton that sent the Pythia into a trance.
Despite these testimonies, no serious scholar over the last 50 years has accepted the idea that the Pythia’s trance was caused by a gaseous emission.

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Modern investigations began in the 1890s, when French archaeologists began to excavate the sanctuary at Delphi. They first moved the modern village of Kastri, household by household, from above the ancient sanctuary to the town of Delphi, west of the sanctuary. The French archaeologists uncovered the boundary wall of the ancient sanctuary, an entry gate, and the lower stretches of the Sacred Way. By 1893 they had reached the terrace of the Temple of Apollo—where they found that scarcely a stone remained in place above the floor. The columns had toppled, and the statuary had been carried off or destroyed. In the lower chamber, where the oracle once spoke, no trace of the ancient structure remained. Even the archaeologists’ attempts to reach bedrock were frustrated as water filled the excavated areas.

While the French team was excavating the temple, a young English scholar named A.P. Oppé published a report based on his visit to the site. Oppé proposed that the ancient sources had confused the fissure with a nearby gorge, and that the vapor was simply a fiction that had been passed down from source to source.¹

In 1927, after a hiatus precipitated by World War I, a scholar named M.F. Courby published the French team’s final report of the temple excavations. He described the bedrock under the center of the temple as “fissured by the action of the waters”—suggesting that the ancient traditions of an opening in the rock may have been correct.² By then, however, Oppé’s theory that the ancients simply misconstrued the facts had taken too strong a hold among scholars for the issue to be reconsidered. The final blow came in 1950: Pierre Amandry of the École Française d’Athènes stated definitively—or so it was widely believed—that exhalations of intoxicating gas could never have existed at Delphi. Only volcanic activity could produce such gas, Amandry (incorrectly) noted, and Delphi does not lie in a volcanic area.³ For almost half a century, debates about the geological origins of the oracle virtually ceased.^c

The first step toward a modern reassessment of the evidence was made in the 1980s by geologist (and co-author) Jelle Zeilinga de Boer, the senior member of our project in Delphi. De Boer was conducting surveys, under the auspices of the United Nations and the Greek government, to identify active fault lines. One area he studied was the south slope of Mount Parnassus, where he noted an exposed fault both east and west of the sanctuary of Apollo—though it could not be seen at the site of the temple, where it was covered by ancient construction and debris from rock slides. De Boer suspected that the fault did indeed run under the temple, but he gave the matter no more thought.

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It was not until the summer of 1995 that Zeilinga de Boer encountered an archaeologist, co-author John Hale of the University of Louisville, who assured him, first, that he could not possibly have seen any such feature at Delphi and, second (after Zeilinga de Boer described the fault in detail), that this might be a discovery of major importance. We decided to continue investigations at Delphi, eventually adding a chemist (Jeff Chanton of Florida State University and the U.S. Geological Survey Magnetic Laboratory) and a toxicologist (Henry Spiller of the Kentucky Poison Center) to the team.

In 1996, with the support of Rozina Kolonia, the director of the Delphi Museum, we conducted a survey of the site and found that the sections of exposed fault on either side of the sanctuary were indeed part of the same fault—an active fault extending about 13 miles east-west along the southern flank of Mount Parnassus. We named this fault the Delphi Fault.

This egg-shaped stone—the very stone described by the Greek writer Pausanias, who visited Delphi in the second century A.D.—represents the omphalos, or “navel of the world.” According to Greek legend, Delphi was fixed as the center of the world when Zeus released two eagles, one from the west and the other from the east, which met in the sky above Delphi. The original omphalos stone, now lost, was probably an archaic cult object that supplicants draped with wreaths, resembling the wreaths carved in relief on this stone. Erich Lessing

In subsequent seasons we identified a second fault, extending approximately southeast-northwest. This fault could be traced along a line of springs running through the center of the sanctuary. The highest spring, above the temple, is called the Kerna Spring; its water is currently channeled westward to modern Delphi. Further down the slope, though still above the temple, a mass of travertine (a kind of limestone) deposited by calcite-rich waters indicates another spring. There is also an elaborate channel for a spring built into the southern foundation wall of the temple itself. Although this spring is dry today, the early 20th-century French archaeologists found it difficult to reach bedrock within the sanctuary because their holes kept filling up with water. Down the slope below the temple, yet another spring emerges from a cleft in the bedrock near the Treasury of the Athenians.
We have named this southeast-northwest fault the Kerna Fault, after its highest spring. In de Boer’s opinion, the Kerna Fault intersects the Delphi Fault at or near the site of the temple.

What the ancient authors described as a fissure (chasma ges) in the rock over which the Pythia sat was probably a small fracture extending up from the intersection of these two faults. Very likely, this is also what M.F. Courby, in his 1927 publication of the French team’s excavations, was describing when he wrote that the bedrock was “fissured by the action of the waters.”

Greek geologists had already identified the limestone under the temple as bituminous (oil-bearing), with a petrochemical content as high as 20 percent. These petrochemicals appeared to be a possible source of gases. But how exactly could they be released from the rock into the atmosphere?

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The Delphi Fault is linked to one of Greece’s most geologically active features: the great rift, or graben, that today is filled by the waters of the Gulf of Corinth. This is a recent feature, geologically speaking, having formed roughly two million years ago. The rift continues to widen; as it does, motion occurs along faults and earthquakes are triggered. In 373 B.C., for example, earthquakes almost completely destroyed the Delphic temple on the north side of the gulf, as well as coastal towns on the south side.

As slippage occurs along the fault lines, adjacent rock masses are heated, vaporizing the lighter petrochemicals in the limestone and expelling gases upward along the face of the faults. Once faulting has opened such a pathway, gases continue to rise, although the volume would slowly decrease over time. We believe that this is exactly what happened at Delphi: The rock masses deep in the earth were heated, and they intermittently produced gases that rose up along the intersection of the two fault lines, eventually entering the adyton of the temple through one or more fissures over which the Pythia sat.

Read about the discovery in ancient Hierapolis of Pluto’s Gate, a site shrouded in misty poisonous vapors and considered sacred to the underworld deity Pluto.

Exhalations of gases from bituminous limestone have been observed by geologists studying underwater faults in the Gulf of Mexico. There light hydrocarbon gases—methane, ethane and ethylene, all of them intoxicants—have been found bubbling up from the rock below. Closer to Delphi, similar exhalations were detected near the Isthmus of Corinth, as well as on the island of Zakynthos.

We decided to test the spring water at Delphi, along with samples of the travertine rock that the ancient springs had deposited on the retaining walls and slopes around the temple. If significant quantities of gases had been emitted with the spring water, traces of these gases might be found in the travertine deposits. The very presence of travertine rock, formed from dissolved calcites in warm spring water, is evidence that the springs along the Kerna Fault had their origin at deep levels.

The water and travertine from the sanctuary of Apollo, which were analyzed by Jeff Chanton, revealed traces of the light hydrocarbon gases found in the Isthmus of Corinth and on Zakynthos. Could this explain the Pythia’s state of intoxication in ancient times?

Apollo sits on a carved ompholos stone—perhaps even a representation of the stone shown in the previous photo—on a coin (shown here) minted in Antioch in 225–223 B.C. Clearly, the Delphic oracle and its association with Apollo were well known throughout the ancient world in Hellenistic times. By the first century A.D., however, the Pythia’s powers were failing, perhaps because the volume of gases flowing into the adyton had decreased—and by the fourth century, the demise of the oracle was complete. Photo: American Numismatic Society.

The ancient sources describe two distinct types of prophetic trance experienced by the Pythia. First, and more normally, she would lapse into benign semi-consciousness, during which she remained seated on the tripod, responding to questions—though in a strangely altered voice. According to Plutarch, once the Pythia recovered from this trance, she was in a composed and relaxed state, like a runner after a race. A second kind of trance involved a frenzied delirium characterized by wild movements of the limbs, harsh groaning and inarticulate cries. When the Pythia experienced this delirium, Plutarch reports, she died after only a few days—and a new Pythia took her place.

According to toxicologist Henry Spiller, both of these symptoms are associated with the inhalation of hydrocarbon gases. Spiller studies the effects of such inhalants on young people, known as “huffers,” who breathe in fumes from gas, glue, paint thinner and other substances because of their intoxicating properties. Perhaps the Pythia too was high on one of these hydrocarbon gases.

It may even be possible to identify the kind of gas. Plutarch—who, we recall, was a priest of Apollo at the Delphic sanctuary—noted that the intoxicating pneuma had a sweet smell, like expensive perfume. Of the hydrocarbon gases, only ethylene has a sweet smell—so ethylene was probably a component in the gaseous emission inhaled by the Pythia.

Now, there is a good deal of evidence concerning ethylene intoxication, particularly from the early 20th century. In laboratory tests involving human subjects, the pioneering anesthesiologist Isabella Herb and other scientists studied the effects of light doses of ethylene. Ethylene worked twice as fast as nitrous oxide (laughing gas) and achieved similar effects with only half the quantity. In high concentrations, ethylene produced complete unconsciousness; in low concentrations, it induced a trance state. Ultimately, ethylene’s use as a medical anesthetic was discontinued because of its combustibility: A spark from electrical equipment in the operating room could ignite the ethylene canister, causing it to explode.⁴

From the evidence of “huffers” and the experiments with ethylene, we know that subjects normally react to inhaling small quantities of these gases by entering a benign “out-of-body” trance. They can remain seated and answer questions, but their tone of voice and typical speech patterns are altered. Recovery takes place as soon as the subject is removed from exposure to the gas, and complete amnesia about the trance follows. In a minority of cases (about one in six) in the ethylene experiments, subjects experienced delirium, or a “bad trip.” Experimenters had to use restraints to hold down those undergoing this delirium, which was accompanied by groaning, shrieking and a thrashing of the arms and legs.

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Unfortunately, no detailed accounts of the Pythia’s behavior survive from the golden age (seventh to fifth century B.C.) of the Delphic oracle. By the time Plutarch took office as priest of Apollo at Delphi, the oracle’s powers had significantly diminished. According to Plutarch, emissions of pneuma in the adyton were slight and unpredictable, leading to the decline of the oracle itself. He suggested that whatever produced the pneuma in the rock below the temple had become exhausted, or that the fissures in the rock had been blocked up in the 373 B.C. earthquake. The Delphic oracle never recovered its former prestige after this earthquake, even though the temple was rebuilt.

The diminished flow of gas may not have been the only reason for the decline of the institution. Plutarch opined that the pneuma was merely a trigger for the prophetic trance, and that the Pythia’s lifelong training and psychological preparation played the most important role in her spiritual possession. In a memorable simile, Plutarch compared Apollo to a musician, the Pythia to a lyre, and the pneuma to the musician’s uncanny ability to produce music by touching the instrument. Perhaps there were socio-cultural reasons for the decline of the institution, or perhaps, as the gaseous emissions became less powerful, devoting one’s life to the oracle became less attractive.

Whatever the reasons for the oracle’s demise, we can no longer dismiss ancient traditions concerning its origins and power. Strabo, Plutarch and the others have been rescued by science from a century of calumny.

Read the Bible History Daily feature Medicine in the Ancient World.

The House of Apollo: A History

The Delphic oracle appears often in Greek myth, even in the account of the repopulating of the earth after a great flood. The high god Zeus, distressed over mankind’s wickedness, sends a flood to cover the earth, but two pious human beings, Deucalion (Prometheus’s son) and Pyrrha (Prometheus’s niece), survive by climbing Mount Parnassus. With the ebbing of the flood, the two descend the mountain and come upon the Delphic temple site, where they hear a voice: “Veil your heads and cast behind you the bones of your mother!” Like many of the Delphic oracles, this one is initially enigmatic, but Deucalion and Pyrrha soon realize that the earth is their mother; so they throw rocks over their shoulders, and the rocks are transformed into men and women, saving humanity from perdition.

Photo: Erich Lessing.

Another famous, or infamous, visit to the oracle was made by the young Oedipus—who, having been adopted as a baby, wanted to know the identity of his parents. (The third-century A.D. marble relief above shows Oedipus [center] sacrificing to the Delphic oracle in front of a statue of Apollo [left].) However, the Delphic oracle informed the young man that he would murder his father and commit incest with his mother. To foil the prophecy, Oedipus left Corinth, which he (erroneously) believed to be his native land. On his journey he killed another chariot-driver in a fit of ancient road rage—but unknown to him, the other driver was his father Laius, King of Thebes.

The oracle at Delphi was also consulted by non-mythical figures. In the sixth century B.C., King Croesus of Lydia, in western Anatolia, inquired whether he should attack King Cyrus of Persia. “If you attack,” replied the Pythia, “you will destroy a great kingdom.” Croesus attacked the Persians, suffered total defeat, and saw his kingdom absorbed into the Persian Empire. Croesus had destroyed a great kingdom—his own.

Réunion des Musées Nationaux/Art Resource, NY

More than a century later, the philosopher Socrates—shown above in a Hellenistic bust—reminded the Athenians at his trial in 399 B.C. that the oracle had declared him the wisest of men, a fact that did not save him from execution.

Photo: David Harris/Collection Israel Museum

After Greece was conquered by Rome, a number of Roman emperors posed questions to the oracle. Nero (54–68 A.D.) was warned to beware the 73rd year, and he was later assassinated by troops who made the 73-year-old Galba emperor in his place. Hadrian (117–138 A.D.), shown in the bronze statue above, ever the intellectual, wanted to know the birthplace of the poet Homer. (The Pythia’s answer: Homer was the grandson of Odysseus and born at Ithaca.) The oracle advised Diocletian (284–305 A.D.) to persecute Christians—which Christians avenged by destroying a number of oracle sites in the fourth century A.D. Finally, the envoys of the pagan Roman emperor Julian the Apostate (361–363 A.D.) received word of the oracle’s demise from the Pythia: “Tell the king the fair-built hall has fallen; Apollo now has no house or oracular laurel or prophetic spring; the water is silent.”

Notes

a. The oracle at Delphi was not the only ancient oracle, though it was the most powerful. Other Greek oracles were located at Epidaurus and in Asia Minor at Colophon and Didyma. Italy’s most famous oracle was at Cumae (near Naples), where a sibyl, or priestess, prophesied in a cavern; originally, the sibyl’s utterances were inscribed on palm leaves.

b. “Pythia” derives from the original name of the site, Pytho. Homer, for instance, refers to Apollo’s “shrine in Pytho” (Odyssey 8.94). The name “Delphi” came later.

c. However, this was not so among such Greek scholars as Spyridon Marinatos (1901–1974), the excavator of ancient Thera (modern Santorini), which was buried in a volcanic eruption around 1638 B.C. Marinatos argued that Delphi’s active geological history made it difficult to know what changes might have occurred over the past two millennia. He also made a report on an anemotrypa (wind hole) in the modern town of Delphi—a small cleft in the rock that emitted gas with a sulfurous smell. Scholars outside Greece ignored these ideas.

1. A.P. Oppé, “The Chasm at Delphi,” Journal of Hellenic Studies, vol. 24 (1904), pp. 214–240.

2. M.F. Courby, Topographie et architecture: la terasse du Temple: Fouilles de Delphes (1927), vol. 11, pp. 65–66.

3. Pierre Amandry, La mantique apollinienne a Delphes: Boccard (Paris, 1950), pp. 215–230.

4. See Isabella Herb, “Ethylene: Notes Taken from the Clinical Records,” in Anesthesia and Analgesia (December, 1923), pp. 210, 231–232; Herb, “Further Clinical Experiments with Ethylene-Oxygen Anesthesia,” Anesthesia and Analgesia (December, 1927), pp. 258–262; A.B. Luckhardt and J.B. Carter, “Physiologic Effects of Ethylene: A New Gas Anesthetic,” Journal of the American Medical Association, vol. 80 (January–June 1923), pp. 765–770.

“Was She Really Stoned?” by Jelle Zeilinga de Boer and John R. Hale appeared in the November/December 2002 issue of Archaeology Odyssey. The article was first republished in Bible History Daily in May 2013.

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In a recent study about the Essenes of Qumran, archaeologist Eyal Regev used the tools of social archaeology to answer the question, “Who were the Essenes?” (credit: Zev Radovan/www.biblelandpictures.com)

The study by Eyal Regev of Bar-Ilan University examines the architectural plan of Qumran and applies so-called “access analysis” to map the site’s spatial organization in order to uncover the social ideology of the Essenes of Qumran.

Regev characterizes this approach to studying the Qumran community as social archaeology, “now an established field of research which uses archaeological records to reconstruct the belief system and social organization of past societies.”

By physically dividing up and demarcating spaces—walls, doorways and entrances that are used on an everyday basis—the architecture thereby classifies and controls the movement of people and the spaces they inhabit. Studying these spaces can help archaeologists answer the question “Who were the Essenes?”

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In a detailed analysis of the physical spaces of the Qumran community, Regev finds the occupied area is divided into different space segments, “each connected to a controlling central passage with minimal connections between segments.” The spaces within segments are also “minimally connected.” Access to most spaces is therefore “limited, and several boundaries must be crossed to reach most spaces from any starting point on the site.”

The large rooms (such as the dining room and the so-called scriptorium) used by the Essenes of Qumran “were not easily accessible and were out of view of casual entrants.” This, says Regev, means that “social encounters between the inhabitants were quite uncommon.”

From such analyses, Regev concludes that the spaces of the Qumran community reflect “an ethos of social segregation, not only between the inhabitants themselves, but, more importantly, between the inhabitants and the outside world.”

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Based on “Moving About at Qumran,” sidebar to Sidnie White Crawford, “A View from the Caves,” Biblical Archaeology Review, September/October 2011. This feature was first republished in Bible History Daily on February 7, 2013.

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Josephus on the Essenes

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Ancient Scribe Links Qumran Scrolls to Masada

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Qumran—The Pottery Factory

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Ancient portrait of Roman emperor Domitian (r. 81–96 C.E.) set into a bust by Guglielmo della Porta (16th c. C.E.) at the National Archaeological Museum, Naples. Photo: Dan Diffendale/CC BY-SA 2.0.

As I revisited a critical biography of the Roman emperor Domitian by the scholar Brian W. Jones recently,¹ I was reminded that “alternative facts” and “fake news” are not just a contemporary phenomenon. On occasion ancient writers similarly tried to spin their version of the truth. Jones tackles the familiar line that Domitian, who reigned between 81 and 96 C.E., was a great persecutor of Christians. This “fact” is now standard stock in much popular writing on the book of Revelation and is even found in some scholarly tomes. In his discussion, Jones carefully rehearses how this “fact” developed.

Eusebius in his Church History (CH) provides the first reference to Domitian persecuting the church. Writing over three centuries later in the early fourth century C.E., this ancient Christian historian first quotes Melito of Sardis, who mentioned that Domitian brought slanderous accusations against Christians (CH 4.26.9). He also cites Tertullian, who claimed that Domitian was cruel like the emperor Nero (r. 54–68 C.E.), but that Domitian was more intelligent, so he ceased his cruelty and recalled the Christians he had exiled (CH 3.20.9). Eusebius also quotes Irenaeus, who claimed Domitian’s persecution consisted only of John’s banishment to Patmos and the exile of other Christians to the island of Pontia (CH 3.18.1, 5).

Despite these cautious statements by three earlier authors, Eusebius then spun his own alternative fact by claiming that Domitian, like Nero, had “stirred up persecution against us” (“anekinei diōgmon”; CH 3.17). From here the tradition was enlarged by Orosius (d. 420 C.E.), who, in his History Against the Pagans, wrote that Domitian issued edicts for a general and cruel persecution (7.10.5). Despite a lack of evidence, Jones observes that the tradition concerning Domitian’s persecution persists: “From a frail, almost non-existent basis, it gradually developed and grew large.”² Thus the alternative facts sown by these ancient historians grew to a truism of Christian history.

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No pagan writer of the time ever accused Domitian, as they had Nero, of persecuting Christians. Pliny, for example, served as a lawyer under Domitian and wrote in a letter to Trajan (r. 98–117 C.E.) that he was never present at the trial of a Christian (Letters 10.96.1). This is a strange claim for one of Domitian’s former officials if Christian persecution were so prevalent. The archaeologist Julian Bennett, who has written a biography of Trajan, also fails to mention any general persecution of Christians at this time. Domitian’s execution of Clemens has sometimes been linked to the senator’s apparent “atheism,” a term sometimes given to Christians. However, there is no “smoking gun” linking Clemens’s death to Christian persecution.³ So Jones concludes, “No convincing evidence exists for a Domitianic persecution of the Christians.”⁴

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A related “fact” is that Domitian claimed the title Dominus et Deus (“Lord and God”). The evidence here is mixed. The poet Statius (Silvae 1.6.83–84) states that Domitian rejected the title Dominus as his predecessor Augustus (the first Roman emperor) had done. The historian Suetonius (Life of Domitian 13.2) does report that Domitian dictated a letter that began, “Our Lord and Master orders…,” but it was only his sycophantic officials who began to address him in this way. The story was again embellished by later historians to the point that Domitian is said to have ordered its use. Jones thinks the story incredible because Domitian was known for his habitual attention to theological detail in traditional Roman worship, so he would not have adopted such inflammatory divine language. After their deaths, the best that emperors could hope for was to be called Divus (Divine), not Deus (God). If Domitian were such a megalomaniac who ordered worship to himself, why haven’t any inscriptions been found using this formula? In fact, no epigraphic evidence exists attesting to Christians being forced to call him “Lord and God.”

Why is Domitian’s legacy so clouded in the ancient sources? Domitian’s assassination in 96 C.E. brought an end to the Flavian dynasty, and the dynasty founded by Nerva, the next Roman emperor, lasted into the third century C.E. Because Domitian had offended the aristocratic elite, the Senate ordered the damnation of his memory. Even though Suetonius (Domitian 8.1) stated that Domitian carefully and conscientiously administered justice, later writers such as Dio Chrysostom (67.2.4) perpetuated his damaged reputation using alternative facts.

Jones writes as a Roman historian outside of Biblical studies, but a New Testament scholar has similarly articulated this view. Leonard Thompson notes that a more critical reading of Eusebius raises doubts about a widespread persecution of Christians under Domitian. He concludes that “most modern commentators no longer accept a Domitianic persecution of Christians.”⁵ Some writers consider Revelation as a source for a persecution by Domitian, although John never identifies a specific emperor. If so, then Revelation would be the only ancient source pointing to such a persecution.

Over two decades since two Roman historians and a Revelation scholar have pronounced a Domitianic persecution moribund, such claims continue to circulate in articles, books and sermons. This shows how long it takes to repudiate “alternative facts” that have circulated for over 1,500 years in Christendom. Literary texts may sow alternative facts, but archaeological realia, such as inscriptions and coins, have assisted in discrediting those alleged facts. The “fake news” that Domitian instigated a severe persecution of Christians and that his claim to be “Master and God” provoked this persecution needs to be removed from our “facts” about the early church.
 

Mark Wilson is the director of the Asia Minor Research Center in Antalya, Turkey, and is a popular teacher on BAS Travel/Study tours. Mark received his doctorate in Biblical studies from the University of South Africa (Pretoria), where he serves as a research fellow in Biblical archaeology. He is currently Associate Professor Extraordinary of New Testament at Stellenbosch University. He leads field studies in Turkey and the eastern Mediterranean for university, seminary and church groups. He is the author of Biblical Turkey: A Guide to the Jewish and Christian Sites of Asia Minor and Victory through the Lamb: A Guide to Revelation in Plain Language. He is a frequent lecturer at BAS’s Bible Fests.

Notes

1. Brian W. Jones, The Emperor Domitian (New York: Routledge, 1992).

2. Jones, Emperor Domitian, p. 114.

3. Julian Bennett notes that the charge against Clemens and his family was that they had adopted Jewish religious ways. He then considers whether Judaism or Christianity is meant and opts for the latter as “more likely.” See Julian Bennett, Trajan: Optimus Princeps (London: Routledge, 1997), p. 68.

4. Jones, Emperor Domitian, p. 117.

5. Leonard L. Thompson, The Book of Revelation: Apocalypse and Empire (Oxford: Oxford Univ. Press, 1990), p. 16.

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The Archaeological Quest for the Earliest Christians

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This Bible History Daily feature was originally published on July 24, 2017.

The post Alternative Facts: Domitian’s Persecution of Christians appeared first on Biblical Archaeology Society.

Carbonized raisins from Iron Age I (12th to 11th centuries B.C.) Shiloh were published by Israel Finkelstein in BAR in 1986.

Seeds and fruit remains are exciting discoveries for archaeologists. Not only do they provide clues about ancient agriculture and diets, they can also provide radiocarbon data to help date buried strata.

Fruit also plays an important role in the Biblical narrative. If Eve had not eaten the fruit in Genesis 3, the story of Eden would have looked drastically different. What do we know about the creative ways the Israelites used fruit in their writings and everyday culture?

The Hebrew Bible mentions six types of tree fruit, many of which appear dozens of times:

1. Grape (גפן)
2. Fig (תאנה)
3. Olive (זית)
4. Pomegranate (רמון)
5. Date (תמר)
6. Apple (תפוח)

In my view, these six fruits are used in eight different ways in the Bible. First, many people are named after fruit, e.g., Tamar in Genesis 38:6, which means “date,” Tappuah in 1 Chronicles 2:43, which means “apple,” and Rimmon in 2 Samuel 4:2, which means “pomegranate.”

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In this this anonymous 18th-century icon from the National Art Museum in Kiev, Ukraine, Joshua and Caleb carry grapes back from the Promised Land.

Second, fruits are the namesake for a number of cities and towns, e.g., Anab in Joshua 11:21, which means “grape,” Rimmon (pomegranate) in Joshua 15:32 and Tappuah (apple) in Joshua 12:17.

Third, images of fruit are used as decorations, e.g., the blue, purple, and crimson pomegranates on Aaron’s priestly garments (Exodus 28:33-34) and the engraved date palm trees in Solomon’s Temple (1 Kings 6:29).

Fourth, fruits are the subjects of laws, e.g., the law in Numbers 6:3 that a Nazirite may not eat or drink grape products or the law in Deuteronomy 24:20 that one may only beat an olive tree once (the remaining olives are for the poor).

Fifth, fruits are used in a number of metaphors and similes such as, “Your breath is like the fragrance of apples” in Song of Songs 7:9 and “I found Israel [as pleasing] as grapes in the wilderness” in Hosea 9:10.

Sixth, fruits appear in curses and blessings such as “Your olives shall drop off [the tree]” in Deuteronomy 28:40 and “[Israel is a blessed] land of wheat and barley, of vines, figs and pomegranates, a land of olive trees and honey” in Deuteronomy 8:8.

A team from the Tell Halif archaeological excavation made their own tannur, a traditional oven referenced in the Hebrew Bible, and baked bread in it. Read all about the experiment in “Biblical Bread: Baking Like the Ancient Israelites.”

Seventh, fruits are used pedagogically in proverbs such as “He who tends to a fig tree will enjoy its fruit” in Proverbs 27:18 and “Parents eat sour grapes and their children’s teeth are blunted” in Ezekiel 18:2.

Eighth, and perhaps most obvious, fruits appear as objects in narratives, such as in Numbers 13:23, where the spies of Moses examine the grapes, pomegranates and figs of the land, and in Genesis 3, where Eve eats the forbidden fruit and is cast from Eden.

While these eight categories are neither rigid nor mutually exclusive, they illustrate the diverse treatment of fruit in the Hebrew Bible. Fruit was much more than a food for the ancient Israelites. It was a symbol that appeared prominently in the culture’s names, laws, proverbs and traditions.

When archaeologists uncover seeds, they find much more than radiocarbon data. The Biblical narrative provides a social and symbolic significance for these important foodstuffs, reminding archaeologists that there is much more to these seeds than meets the eye.

Fruit-producing gardens were some of the most luxurious parts of ancient palaces, yet there is no archaeological evidence of the most famous example–the Hanging Gardens–at Babylon. Discover why archaeologists believe this World Wonder was actually located at Assyrian Nineveh.

David Z. Moster, PhD, is a Research Fellow in Hebrew Bible at Brooklyn College and a Lecturer in Rabbinics at Nyack College. He is the author of the upcoming book Etrog: How a Chinese Fruit Became a Jewish Symbol (Palgrave Macmillan, 2018). His websites are www.929chapters.com and brooklyn-cuny.academia.edu/DavidMoster.

This Bible History Daily article was originally published on January 27, 2014.

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The post Fruit in the Bible appeared first on Biblical Archaeology Society.

Inside Qumran Cave four, where 15,000 Dead Sea Scroll fragments from more than 580 documents were found. Many of the Biblical fragments from Cave 4 preserve readings that deviate from the standard readings of the Masoretic Text. To scholars, these variants are uniquely valuable because of their antiquity: The Dead Sea Scrolls are 1,000 years older than our earliest complete edition of the Masoretic Text. Photo: Hershel Shanks

Almost all of the known Dead Sea Scrolls have been transcribed, transliterated, translated and either published or nearly published. But as soon as this task is accomplished, scholars are faced with new challenges: Do insights from the scrolls add to the Masoretic text (known as the original Hebrew Bible text, or the Tanakh, which roughly corresponds to the Protestant Old Testament), and if so, should the original Hebrew Bible text be modified based on this information?

Scholars from both sides of the divide weigh in on this issue below.

The Dead Sea Scrolls did not, as some early dreamers speculated, answer the age-old question: Where is the original Bible? Not, as it turns out, in the caves of Qumran. Nor do the scrolls include long lost books of the Bible. Furthermore, the scrolls did not utterly transform our image of the original Hebrew Bible text. Indeed, one of the most important contributions of the scrolls is that they have demonstrated the relative stability of the Masoretic text.

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Nevertheless, there are differences (some quite significant) between the scrolls and the Masoretic text. Furthermore, these differences have made scholars rethink variant readings found in other ancient manuscripts. How should scholars treat these variants with relationship to the Masoretic text? Should they try to determine which readings are the most original and then incorporate them in a new critical edition of the Hebrew Bible? Or should they continue to use the Masoretic text as their base? Does a single version of the Hebrew Bible exist that is older than all others presently known, and if so, where is the original Bible? These questions are not merely academic; for any changes made to scholarly editions of the Masoretic text will have repercussions for decades of research and will affect all future Bible translations.

As is typical in the world of academics and research, there are scholars on each side of every argument. The case of using the Dead Sea Scrolls to modify the Masoretic text is no different. Ronald S. Hendel of the University of California, Berkeley, argues that scholars can reconstruct a more original Hebrew Bible text if they “combine the best from each tradition.” James A. Sanders, founder and president emeritus of the Ancient Biblical Manuscript Center in Claremont, California, responds by urging scholars to “keep each tradition separate.”

And as far as answering the question: Where is the original Bible (and whether such a thing even exists): We don’t know. But to all scholars and Biblical archaeologists we can offer this advice: Keep digging!

This Bible History Daily feature was originally published on July 20, 2011.

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The post The Masoretic Text and the Dead Sea Scrolls appeared first on Biblical Archaeology Society.

Map of New Testament Jerusalem, outlining the Old City walls and subsequent enclosures added by Herod the Great and Agrippa I. Click map to enlarge. Map courtesy James Tabor.

On Wednesday Jesus began to make plans for Passover. He sent two of his disciples into the city to prepare a large second-­story guest room where he could gather secretly and safely with his inner group. He knew someone with such a room available and he had prearranged for its use.

Christian pilgrims today are shown a Crusader site known as the Cenacle or “Upper Room” on the Western Hill of Jerusalem that the Crusaders misnamed “Mount Zion.” This area was part of the “Upper City” where Herod had built his palace. It is topographically higher than even the Temple Mount.

It was the grandest section of ancient Jerusalem with broad streets and plazas and the palatial homes of the wealthy. Bargil Pixner and others have also argued that the southwest edge of Mt Zion contained an “Essene Quarter,” with more modest dwellings and its own “Essene” Gate mentioned by Josephus – see his article “Jerusalem’s Essene Gateway“.

Jesus tells his two disciples to “follow a man carrying a jug of water,” who will enter the city, and then enter a certain house. The only water source was in the southern part of the lower city of Jerusalem, the recently uncovered Pool of Siloam. This mysterious man apparently walked up the slope of Mt Zion and entered the city–likely at the Essene Gate. The house is large enough to have an upper story and likely belonged to a wealthy sympathizer of Jesus, perhaps associated with the Essenes. Later this property became the HQ of the Jesus movement led by James the brother of Jesus – see Pixner’s article “The Church of the Apostles Found on Mt Zion”.

Later Christian tradition put Jesus’ last meal with his disciples on Thursday evening and his crucifixion on Friday. We now know that is one day off. Jesus’ last meal was Wednesday night, and he was crucified on Thursday, the 14th of the Jewish month Nisan. The Passover meal itself was eaten Thursday night, at sundown, as the 15th of Nisan began. Jesus never ate that Passover meal. He had died at 3 p.m. on Thursday.

The confusion arose because all the gospels say that there was a rush to get his body off the cross and buried before sundown because the “Sabbath” was near. Everyone assumed the reference to the Sabbath had to be Saturday—so the crucifixion must have been on a Friday. However, as Jews know, the day of Passover itself is also a “Sabbath” or rest day—no matter what weekday it falls on. In the year a.d. 30, Friday the 15th of the Nisan was also a Sabbath—so two Sabbaths occurred back to back—Friday and Saturday. Matthew seems to know this as he says that the women who visited Jesus’ tomb came early Sunday morning “after the Sabbaths”—the original Greek is plural (Matthew 28:1).

As is often the case, the gospel of John preserves a more accurate chronology of what went on. John specifies that the Wednesday night “last supper” was “before the festival of Passover.” He also notes that when Jesus’ accusers delivered him to be crucified on Thursday morning they would not enter ­Pilate’s courtyard because they would be defiled and would not be able to eat the Passover that evening (John 18:28). John knows that the Jews would be eating their traditional Passover, or Seder meal, Thursday evening.

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Reading Mark, Matthew, and Luke one can get the impression that the “last supper” was the Passover meal. Some have even argued that Jesus might have eaten the Passover meal a day early—knowing ahead of time that he would be dead. But the fact is, Jesus ate no Passover meal in 30 CE. When the Passover meal began at sundown on Thursday, Jesus was dead. He had been hastily put in a tomb until after the festival when a proper funeral could be arranged.

There are some hints outside of ­John’s gospel that such was the case. In Luke, for example, Jesus tells his followers at that last meal: “I earnestly wanted to eat this Passover with you before I suffer but I ­won’t eat it until it is fulfilled in the kingdom of God” (Luke 22:14–16). A later copyist of the manuscript inserted the word “again” to make it say “I ­won’t eat it again,” since the tradition had developed that Jesus did observe Passover that night and changed its observance to the Christian Eucharist or Mass. Another indication that this is not a Passover meal is that all our records report that Jesus shared “a loaf of bread” with his disciples, using the Greek word (artos) that refers to an ordinary loaf—not to the unleavened flatbread or matzos that Jews eat with their Passover meals. Also, when Paul refers to the “last supper” he significantly does not say “on the night of Passover,” but rather “on the night Jesus was betrayed,” and he also mentions the “loaf of bread” (1 Corinthians 11:23). If this meal had been the Passover, Paul would have surely wanted to say that, but he does not.

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As late as Wednesday morning Jesus had still intended to eat the Passover on Thursday night. When he sent his two disciples into the city he instructed them to begin to make the preparations. His enemies had determined not to try to arrest him during the feast “lest there be a riot of the people” (Mark 14:2). That meant he was likely “safe” for the next week, since the “feast” included the seven days of Unleavened Bread that followed the Passover meal. Passover is the most family-­oriented festival in Jewish tradition. As head of his household Jesus would have gathered with his mother, his sisters, the women who had come with him from Galilee, perhaps some of his close supporters in Jerusalem, and his Council of Twelve. It is inconceivable that a Jewish head of a household would eat the Passover segregated from his family with twelve male disciples. This was no Passover meal. Something had gone terribly wrong so that all his Passover plans were changed.

Jesus had planned a special meal Wednesday evening alone with his Council of Twelve in the upper room of the guesthouse in the lower city. The events of the past few days had brought things to a crisis and he knew the confrontation with the authorities was unavoidable. In the coming days he expected to be arrested, delivered to the Romans, and possibly crucified. He had intentionally chosen the time and the place—Passover in Jerusalem—to confront the powers that be. There was much of a private nature to discuss with those upon whom he most depended in the critical days ahead. He firmly believed that if he and his followers offered themselves up, placing their fate in ­God’s hands, that the Kingdom of God would manifest itself. He had intentionally fulfilled two of Zechariah’s prophecies—riding into the city as King on the foal, and symbolically removing the “traders” from the “house of God.”

At some point that day Jesus had learned that Judas Iscariot, one of his trusted Council of Twelve, had struck a deal with his enemies to have Jesus arrested whenever there was an opportunity to get him alone, away from the crowds. How Jesus knew of the plot we are not told but during the meal he said openly, “One of you who is eating with me will betray me” (Mark 14:18). His life seemed to be unfolding according to some scriptural plan. Had not David written in the Psalms, “Even my bosom friend, in whom I trusted, who ate of my bread, has lifted the heel against me” (Psalm 41:9). History has a strange way of repeating itself. Over a hundred years earlier, the Teacher of Righteousness who led the Dead Sea Scroll community had quoted that very Psalm when one of his inner “Council” had betrayed him.

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Ironically our earliest account of that last meal on Wednesday night comes from Paul, not from any of our gospels. In a letter to his followers in the Greek city of Corinth, written around a.d. 54, Paul passes on a tradition that he says he “received” from Jesus: “Jesus on the night he was betrayed took a loaf of bread, and when he had given thanks, he broke it and said, ‘This is my body that is broken for you. Do this in remembrance of me.’ In the same way he took the cup also, after supper, saying, ‘This cup is the new covenant in my blood. Do this, as often as you drink it, in remembrance of me’” (1 Corinthians 11:23–25).

These words, which are familiar to Christians as part of the Eucharist or the Mass, are repeated with only slight variations in Mark, Matthew, and Luke. They represent the epitome of Christian faith, the pillar of the Christian Gospel: all humankind is saved from sins by the sacrificed body and blood of Jesus. What is the historical likelihood that this tradition, based on what Paul said he “received” from Jesus, represents what Jesus said at that last meal? As surprising as it might sound, there are some legitimate problems to consider.

Read Andrew McGowan’s article “The Hungry Jesus,” in which he challenges the tradition that Jesus was a welcoming host at meals, in Bible History Daily.

The Catacombs of Santa Priscilla features a fresco in the Greek Chapel of a banquet dating to the 3rd century – possibly referencing the Eucharistic banquet – with seven figures including a young man breaking bread and a veiled woman. Image courtesy James Tabor.

At every Jewish meal, bread is broken, wine is shared, and blessings are said over each—but the idea of eating human flesh and drinking blood, even symbolically, is completely alien to Judaism. The Torah specifically forbids the consuming of blood, not just for Israelites but anyone. Noah and his descendants, as representatives of all humanity, were first given the prohibition against “eating blood” (Genesis 9:4). Moses had warned, “If anyone of the house of Israel or the Gentiles who reside among them eats any blood I will set my face against that person who eats blood and will cut that person off from the people” (Leviticus 17:10). James, the brother of Jesus, later mentions this as one of the “necessary requirements” for non-­Jews to join the Nazarene community—they are not to eat blood (Acts 15:20). These restrictions concern the blood of animals. Consuming human flesh and blood was not forbidden, it was simply inconceivable. This general sensitivity to the very idea of “drinking blood” precludes the likelihood that Jesus would have used such
symbols.

The Essene community at Qumran described in one of its scrolls a “messianic banquet” of the future at which the Priestly Messiah and the Davidic Messiah sit together with the community and bless their sacred meal of bread and wine, passing it to the community of believers, as a celebration of the Kingdom of God. They would surely have been appalled at any symbolism suggesting the bread was human flesh and the wine was blood. Such an idea simply could not have come from Jesus as a Jew.

So where does this language originate? If it first surfaces in Paul, and he did not in fact get it from Jesus, then what was its source? The closest parallels are certain Greco-­Roman magical rites. We have a Greek papyrus that records a love spell in which a male pronounces certain incantations over a cup of wine that represents the blood that the Egyptian god Osiris had given to his consort Isis to make her feel love for him. When his lover drinks the wine, she symbolically unites with her beloved by consuming his blood. In another text the wine is made into the flesh of Osiris. The symbolic eating of “flesh” and drinking of “blood” was a magical rite of union in Greco-­Roman culture.

Read Jonathan Klawans’s Bible Review article Was Jesus’ Last Supper a Seder? and his updated article Jesus’ Last Supper Still Wasn’t a Passover Seder Meal online for free in Bible History Daily.

We have to consider that Paul grew up in the Greco-­Roman culture of the city of Tarsus in Asia Minor, outside the land of Israel. He never met or talked to Jesus. The connection he claims to Jesus is a “visionary” one, not Jesus as a flesh-and-blood human being walking the earth. See my book, Paul and Jesus for a full elaboration of the implications of Paul’s visionary revelations. When the Twelve met to replace Judas, after Jesus had been killed, they insisted that to be part of their group one had to have been with Jesus from the time of John the Baptizer through his crucifixion (Acts 1:21–22). Seeing visions and hearing voices were not accepted as qualifications for an apostle.

Second, and even more telling, the gospel of John recounts the events of that last Wednesday night meal but there is absolutely no reference to these words of Jesus instituting this new ceremony of the Eucharist. If Jesus in fact had inaugurated the practice of eating bread as his body, and drinking wine as his blood at this “last supper” how could John possibly have left it out? What John writes is that Jesus sat down to the supper, by all indications an ordinary Jewish meal. After supper he got up, took a basin of water and a cloth, and began to wash his disciples’ feet as an example of how a Teacher and Master should act as a servant—even to his disciples. Jesus then began to talk about how he was to be betrayed and John tells us that Judas abruptly left the meal.

Mark’s gospel is very close in its theological ideas to those of Paul. It seems likely that Mark, writing a decade after ­Paul’s account of the last supper, inserts this “eat my body” and “drink my blood” tradition into his gospel, influenced by what Paul has claimed to have received. Matthew and Luke both base their narratives wholly upon Mark, and Luke is an unabashed advocate of Paul as well. Everything seems to trace back to Paul. As we will see, there is no evidence that the original Jewish followers of Jesus, led by Jesus’ brother James, headquartered in Jerusalem, ever practiced any rite of this type. Like all Jews they did sanctify wine and bread as part of a sacred meal, and they likely looked back to the “night he was betrayed,” remembering that last meal with Jesus.

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What we really need to resolve this matter is an independent source of some type, one that is Christian but not influenced by Paul, that might shed light on the original practice of Jesus’ followers. Fortunately, in 1873 in a library at Constantinople, just such a text turned up. It is called the Didache and dates to the early 2nd century CE. It had been mentioned by early church writers but had disappeared until a Greek priest, Father Bryennios, discovered it in an archive of old manuscripts quite by accident. The title Didache in Greek means “Teaching” and its full title is “The Teaching of the Twelve Apostles.” It is a type of early Christian “instruction manual” probably written for candidates for Christian baptism to study. It has lots of ethical instructions and exhortations but also sections on baptism and the Eucharist—the sacred meal of bread and wine. And that is where the surprise comes. It offers the following blessings over wine and bread:

With respect to the Eucharist you shall give thanks as follows. First with respect to the cup: “We give you thanks our Father for the holy vine of David, your child which you made known to us through Jesus your child. To you be the glory forever.” And with respect to the bread: “We give you thanks our Father for the life and knowledge that you made known to us through Jesus your child. To you be the glory forever.”

Notice there is no mention of the wine representing blood or the bread representing flesh. And yet this is a record of the early Christian Eucharist meal! This text reminds us very much of the descriptions of the sacred messianic meal in the Dead Sea Scrolls. Here we have a messianic celebration of Jesus as the Davidic Messiah and the life and knowledge that he has brought to the community. Evidently this community of Jesus’ followers knew nothing about the ceremony that Paul advocates. If ­Paul’s practice had truly come from Jesus surely this text would have included it.

There is another important point in this regard. In Jewish tradition it is the cup of wine that is blessed first, then the bread. That is the order we find here in the Didache. But in ­Paul’s account of the ­“Lord’s Supper” he has Jesus bless the bread first, then the cup of wine—just the reverse. It might seem an unimportant detail until one examines ­Luke’s account of the words of Jesus at the meal. Although he basically follows the tradition from Paul, unlike Paul Luke reports first a cup of wine, then the bread, and then another cup of wine! The bread and the second cup of wine he interprets as the “body” and “blood” of Jesus. But with respect to the first cup—in the order one would expect from Jewish tradition—there is nothing said about it representing “blood.” Rather Jesus says, “I tell you that from now on I will not drink of the fruit of the vine until the kingdom comes” (Luke 22:18). This tradition of the first cup, found now only in Luke, is a leftover clue of what must have been the original tradition before the Pauline version was inserted, now confirmed by the Didache.

More by James Tabor in Bible History Daily

That Other “King of the Jews”

Can a Pre-Christian Version of the Book of Revelation be Recovered?

The “Strange” Ending of the Gospel of Mark and Why It Makes All the Difference

The Making of a Messiah

Understood in this light, this last meal makes historical sense. Jesus told his closest followers, gathered in secret in the Upper Room, that he will not share another meal with them until the Kingdom of God comes. He knows that Judas will initiate events that very night, leading to his arrest. His hope and prayer is that the next time they sit down together to eat, giving the traditional Jewish blessing over wine and bread—the Kingdom of God will have come.

Since Jesus met only with his Council of Twelve for that final private meal, then James as well as Jesus’ other three brothers would have been present. This is confirmed in a lost text called the Gospel of the Hebrews that was used by Jewish-­Christians who rejected ­Paul’s teachings and authority. It survives only in a few quotations that were preserved by Christian writers such as Jerome. In one passage we are told that James the brother of Jesus, after drinking from the cup Jesus passed around, pledged that he too would not eat or drink again until he saw the kingdom arrive. So here we have textual evidence of a tradition that remembers James as being present at the last meal.

In the gospel of John there are cryptic references to James. Half a dozen times John mentions a mysterious unnamed figure that he calls “the disciple whom Jesus loved.” The two are very close; in fact this unnamed disciple is seated next to Jesus either at his right or left hand. He leaned back and put his head on Jesus’ breast during the meal (John 13:23). He is the one to whom Jesus whispers that Judas is the betrayer. Even though tradition holds that this is John the fisherman, one of the sons of Zebedee, it makes much better sense that such intimacy was shared between Jesus and his younger brother James. After all, from the few stories we have about John son of Zebedee, he has a fiery and ambitious personality—Jesus had nicknamed him and his brother the “sons of Thunder.” They are the two that had tried to obtain the two chief seats on the Council of Twelve, one asking for the right hand, the other the left. On another occasion they asked Jesus for permission to call down fire from heaven to consume a village that had not accepted their preaching (Luke 9:54). On both occasions Jesus had rebuked them. The image we get of John son of Zebedee is quite opposite from the tender intimacy of the “disciple whom Jesus loved.” No matter how ingrained the image might be in Christian imagination, it makes no sense to imagine John son of Zebedee seated next to Jesus, and leaning on his breast.

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Late that night, after the meal and its conversations, Jesus led his band of eleven disciples outside the lower city, across the Kidron Valley, to a thick secluded grove of olive trees called Gethsemane at the foot of the Mount of Olives. Judas knew the place well because Jesus often used it as a place of solitude and privacy to meet with his disciples (John 18:2). Judas had gone into the city to alert the authorities of this rare opportunity to confront Jesus at night and away from the crowds.

It was getting late and Jesus’ disciples were tired and drowsy. Sleep was the last thing on Jesus’ mind, and he was never to sleep again. His all-­night ordeal was about to begin. He began to feel very distressed, fearful, and deeply grieved. He wanted to pray for strength for the trials that he knew would soon begin. Mark tells us that he prayed that if possible the “cup would be removed from him” (Mark 14:36). Jesus urged his disciples to pray with him but the meal, the wine, and the late hour took their toll. They all fell asleep.

Dr. James Tabor is Chair of the Department of Religious Studies at the University of North Carolina at Charlotte where he is professor of Christian origins and ancient Judaism. Since earning his Ph.D. at the University of Chicago in 1981, Tabor has combined his work on ancient texts with extensive field work in archaeology in Israel and Jordan, including work at Qumran, Sepphoris, Masada, Wadi el-Yabis in Jordan. Over the past decade he has teamed up with with Shimon Gibson to excavate the “John the Baptist” cave at Suba, the “Tomb of the Shroud” discovered in 2000, Mt Zion and, along with Rami Arav, he has been involved in the re-exploration of two tombs in East Talpiot including the controversial “Jesus tomb.” Tabor is the author of the popular Taborblog, and several of his recent posts have been featured in Bible History Daily as well as the Huffington Post. His latest book, Paul and Jesus: How the Apostle Transformed Christianity has become a immediately popular with specialists and non-specialists alike. You can find links to all of Dr. Tabor’s web pages, books, and projects at jamestabor.com.

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Was Jesus’ Last Supper a Seder?

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The post The Last Days of Jesus: A Final “Messianic” Meal appeared first on Biblical Archaeology Society.

What kind of stone sealed the tomb of Jesus? Was it a round (disk-shaped) stone or a square (cork-shaped) stone? While both kinds of blocking stones are attested in Jerusalem tombs from the time of Jesus, square (cork-shaped) stones are much, much more common than round (disk-shaped) ones.

How was Jesus’ tomb sealed? While some Jerusalem tombs from the late Second Temple period boasted round (disk-shaped) rolling stones, it was more common to seal tombs with cork-shaped stones, such as the one pictured here. The archaeological evidence suggests that the tomb of Jesus—the unused tomb of Joseph of Arimathea—would have been sealed with a cork-shaped stone. Photo: Tom Powers.

In fact, of the more than 900 Second Temple-period burial caves around Jerusalem examined by archaeologist Amos Kloner, only four have been discovered with disk-shaped blocking stones. These four elegant Jerusalem tombs belonged to the wealthiest—even royal—families, such as the tomb of Queen Helena of Adiabene.

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Was the tomb of Jesus among the “top four” Jerusalem tombs from the Second Temple period?

Since disk-shaped blocking stones were so rare and since Jesus’ tomb was built for an ordinary person—because it was actually the borrowed, but unused, tomb of Joseph of Arimathea (Matthew 27:60)—it seems highly unlikely that it would have been outfitted with a disk-shaped blocking stone.

Archaeology therefore suggests that the tomb of Jesus would have had a cork-shaped blocking stone. Is this confirmed or contested by the Biblical text? How was Jesus’ tomb sealed according to the New Testament?

In his Biblical Views column “A Rolling Stone That Was Hard to Roll” from the March/April 2015 issue of BAR, Urban C. von Wahlde looks at the Gospel accounts to see how the stone that sealed the tomb of Jesus is portrayed. His careful analysis of the Greek grammar reveals a detail from the Gospel of John that supports the idea that the tomb of Jesus was indeed sealed with a cork-shaped stone.

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In his BAR column, Urban C. von Wahlde explains that the Synoptic Gospels (Matthew, Mark and Luke) all use a form of the Greek verb kulio to describe how the stone sealing Jesus’ tomb was moved. Kulio means “to roll.”

Measuring 4.5-feet tall, the disk-shaped stone at the so-called Tomb of Herod’s Family could be rolled to cover the entryway of the tomb or rolled back into a niche to open it, thereby permitting new burials to be added to the family tomb. This is one of four Second Temple-period Jerusalem tombs with a round rolling stone. Photo: Hershel Shanks.

Mark 15:46 reads, “Then Joseph bought a linen cloth, and taking down the body, wrapped it in the linen cloth, and laid it in a tomb that had been hewn out of the rock. He then rolled a stone against the door of the tomb” (NRSV). The Greek verb used in the last sentence of this passage is proskulisas. Von Wahlde says, “This is a combination of pros (meaning ‘toward’) and the past participle of kulio (meaning ‘to roll or roll along’).”

Mark 16:3 describes the scene on Easter Sunday when Mary Magdalene, Mary the mother of James and Salome visit Jesus’ tomb: “They had been saying to one another, ‘Who will roll away the stone for us from the entrance to the tomb?’” The Greek word for “roll away” is apekulisen, which von Wahlde explains is “a combination of ap’ (meaning ‘away’) and … yes, kulio (meaning ‘to roll’).”

The Gospels of Matthew and Luke use similar compounds of the verb kulio. Thus, all of these accounts imply that the stone sealing Jesus’ tomb was rolled.

Can square (cork-shaped) blocking stones be rolled?

In his article “Did a Rolling Stone Close Jesus’ Tomb?” from the September/October 1999 issue of BAR, Amos Kloner added “dislodge” or “move” to the definition of the Greek verb kulio. A square (cork-shaped) blocking stone might more readily be described as being “dislodged” or “moved” than “rolled.” Thus, this definition resolves any incongruity between the Biblical text and the archaeological record. However, von Wahlde disagrees with Kloner’s definition:

In his article on the type of tomb closure used for the tomb of Jesus, Amos Kloner states that the Greek verb kulio means “to roll,” but it can also mean “dislodge” or “move.” I would disagree with this for two reasons: First, I at least cannot find any dictionary articles (including the largest, the Liddle-Scott-Jones) that give this other meaning. Second, as I pointed out above, almost all instances of the verb in the gospel texts are compounds of kulio, either pros-kulio (“roll up to”) or apo-kulio (“to roll away”). These are verbs of motion “toward” or “away from.”

It is not necessary to change the definition of kulio to make sense of the Gospel accounts. Von Wahlde points out: “It may very well be that people rolled the ‘cork-shaped’ stones away from the tomb. Once you see the size of a ‘stopper’ stone, it is easy to see that, however one gets the stone out of the doorway, chances are you are going to roll it the rest of the way.” Although they certainly would not have rolled as easily as round (disk-shaped) stones, cork-shaped stones still could have been rolled.

Many assume that Jesus’ Last Supper was a Seder, the ritual Passover meal. Examine evidence from the Synoptic Gospels with scholar Jonathan Klawans in “Was Jesus’ Last Supper a Seder?“

The Gospel of John presents a slightly different picture than the other Gospel accounts—with a different Greek verb used to describe the stone sealing Jesus’ tomb. John 20:1 reads, “Early on the first day of the week, while it was still dark, Mary Magdalene came to the tomb and saw that the stone had been removed from the tomb.”

The Greek word for “removed” or “taken away” is hairo, which Von Wahlde defines as “take away.” There is no mention of “rolling” the stone in the Gospel of John. Von Wahlde maintains that this description reflects “the Jewish burial practice much more accurately than any of the other gospels. He [John] has given us a detail none of the other gospels have.”

Thus, both the Gospel of John and archaeology support the interpretation that the tomb of Jesus would have been sealed with a cork-shaped blocking stone. For Urban C. von Wahlde’s full analysis of the type of stone that sealed Jesus’ tomb according to the Gospels, read his Biblical Views column “A Rolling Stone That Was Hard to Roll” in the March/April 2015 issue of BAR.

Later, during the late Roman and Byzantine periods, round (disk-shaped) blocking stones became less rare. Dozens of Jerusalem tombs dating to these periods have been found with disk-shaped stones—but on a smaller scale. Whereas the four disk-shaped blocking stones from the Second Temple period were at least 4 feet in diameter, the ones from later periods usually had a diameter of about 3 feet. The date and style of these tombs, however, disqualifies them as candidates for Jesus’ tomb since the tomb of Jesus belonged to an earlier period—the Second Temple period, which ended in 70 A.D. with the Roman destruction of Jerusalem.

BAS Library Subscribers: Read the full Biblical Views column “A Rolling Stone That Was Hard to Roll,” by Urban C. von Wahlde in the March/April 2015 issue of Biblical Archaeology Review.

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Is it possible to identify the first-century man named Jesus behind the many stories and traditions about him that developed over 2,000 years in the Gospels and church teachings? Visit the Jesus/Historical Jesus study page to read free articles on Jesus in Bible History Daily.

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“Jesus Tomb” Controversy Erupts—Again

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The Tomb of Queen Helena of Adiabene

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Did a Rolling Stone Close Jesus’ Tomb?

What Did Jesus’ Tomb Look Like?

Queen Helena’s Jerusalem Palace—In a Parking Lot?

Herod’s Family Tomb in Jerusalem

This Bible History Daily feature was originally published on March 9, 2015.

The post How Was Jesus’ Tomb Sealed? appeared first on Biblical Archaeology Society.

Where did Jesus turn water into wine? Excavations at Khirbet Cana in lower Galilee provide compelling evidence that the town where Jesus’ first miracle was performed has been found. The discovery of a large Christian underground veneration complex suggests that the site may have been worshiped as Cana of Galilee by early Christians since the fifth century C.E. Photo: Courtesy Khirbet Qana Project.

Jesus’ first miracle was performed in Cana of Galilee. When the wedding party in Cana ran out of wine, Jesus commanded the servants to fill up six stone jars with water. After he is offered a cup from one of the jars, the chief steward of the wedding discovers that he is drinking wine (John 2:1–11).

Where did Jesus turn water into wine? Where is Cana of Galilee? There are at least five candidates for Cana in the Bible, but, according to archaeologist Tom McCollough in “Searching for Cana: Where Jesus Turned Water into Wine” in the November/December 2015 issue of BAR, only one site offers the most compelling evidence.

Nine miles from Nazareth lies the site of Khirbet Cana (or Khirbet Qana—“the ruins of Cana”) in lower Galilee. Excavations at Khirbet Cana began in 1998 under the direction of the late Douglas Edwards. BAR author Tom McCollough joined the project as field director in 2000 and became codirector in 2008. Several factors have led McCollough to believe that the Bible’s Cana of Galilee, where Jesus’ first miracle was performed, has been found.

Archaeological work has revealed that Khirbet Cana was a modest, well-connected Jewish village in the Hellenistic and Roman periods (323 B.C.E.–324 C.E.). Khirbet Cana’s Jewish identity has been confirmed by the discovery of a Roman-period synagogue, several miqva’ot (Jewish ritual baths), six Maccabean coins and an ostracon incised with Hebrew letters.

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Khirbet Cana was thus indeed a vibrant Jewish village in antiquity, but was it Cana of Galilee from the Bible? Christians in the Byzantine period seemed to think so. Perhaps the most persuasive evidence that early Christians identified Khirbet Cana with New Testament Cana is the large Christian underground veneration complex discovered by the archaeological team at the end of the first excavation season.

An extensive underground exploration revealed that at least four caves comprise the cave complex. The first cave, which has been excavated, was lined with plaster dating from the Byzantine through the Crusader periods (415–1217 C.E.). Greek graffiti scrawled on the walls of the caves record the presence of Christian pilgrims: some read “Kyrie Iesou” (“Lord Jesus”), some depict crosses and some seem to record pilgrims’ names.

Even more fascinating, the archaeologists found in this first cave what may be an altar: A sarcophagus lid (see image above) inscribed with Maltese-style crosses had been turned on its side to serve as a kind of altar, its top edge worn smooth, perhaps by pilgrims who placed their hands on it during prayer. Above the “altar,” a shelf with two stone vessels had been found.

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“There was space for another four,” writes BAR author Tom McCollough. “Six stone jars would have held the water that Jesus turned into wine (John 2:6). All this suggests that Khirbet Cana was regarded as New Testament Cana from a very early time.”

As mentioned earlier, there are at least four other candidates for the Bible’s Cana of Galilee. Khirbet Cana, in fact, is not even the site most visited by tourists today. So why does McCollough believe Khirbet Cana is the best candidate for New Testament Cana? Learn more about the evidence supporting Khirbet Cana’s identification with the site of Jesus’ first miracle and the reasons why the other candidates’ identifications don’t hold water by reading the full article “Searching for Cana: Where Jesus Turned Water into Wine” by Tom McCollough in the November/December 2015 issue of BAR.

BAS Library Subscribers: Read the full article “Searching for Cana: Where Jesus Turned Water into Wine” by Tom McCollough in the November/December 2015 issue of Biblical Archaeology Review.

Related reading in Bible History Daily

Jesus Was a Refugee

The Last Days of Jesus: A Final “Messianic” Meal

Mark and John: A Wedding at Cana—Whose and Where?

The Bethesda Pool, Site of One of Jesus’ Miracles

The Siloam Pool: Where Jesus Healed the Blind Man

This Bible History Daily feature was originally published on October 5, 2015.

The post Where Did Jesus Turn Water into Wine? appeared first on Biblical Archaeology Society.

“One last unending night for the world.” Overcome by the fumes and falling ash, the famed Roman naturalist Pliny the Elder and his companion collapse in view of the 79 C.E. eruption of Mt. Vesuvius while buildings crumble nearby, as depicted in this 1813 painting Vesuvius Erupting by Pierre-Henri de Valenciennes. First-century accounts of the eruption by his nephew Pliny the Younger and Dio Cassius describe the terror and confusion as the affluent cities of the Bay of Naples, including Pompeii and Herculaneum, were destroyed by the violent volcano. Was this disaster, which occurred almost exactly nine years after Roman troops destroyed the Temple in Jerusalem, seen as God’s revenge on the conquerors of the holy city? Photo: AKG-Images

Nine years, almost to the day, after Roman legionaries destroyed God’s house in Jerusalem, God destroyed the luxurious watering holes of the Roman elite.

Was this God’s revenge?

That’s not exactly the question I want to raise, however. Rather, did anyone at the time see it that way? Did anyone connect the eruption of Mt. Vesuvius in 79 C.E. with the Roman destruction of Jerusalem in 70?

First the dates: The Romans destroyed the Second Temple (Herod’s Temple) on the same date that the Babylonians had destroyed the First Temple (Solomon’s Temple) in 586 B.C.E. But the exact date of the Babylonian destruction is uncertain. Two different dates are given in the Hebrew Bible for the destruction of the First Temple. In 2 Kings 25:8 the date is the 7th of the Hebrew month of Av; Jeremiah 52:12 says it occurred on the 10th of Av. The rabbis compromised and chose the 9th of Av (Tisha b’Av). That is the date on which observant Jews, sitting on the floor of their synagogues, still mourn the destruction of the First Temple, Solomon’s Temple, in 586 B.C.E. and the Second Temple, Herod’s Temple, in 70 C.E.

The exact corresponding date in the Gregorian calendar is also a bit uncertain. According to the translator of the authoritative translation of Josephus, the ancient historian who gives us our most detailed (if sometimes unreliable; see sidebar) account of the Roman destruction of the Temple in 70 C.E., it occurred on August 29 or 30.¹ Others place it earlier in the month.

The earliest existing picture of a scene from the Bible–portraying the judgment of King Solomon–comes from Pompeii. The oldest Biblical painting includes some surprising onlookers. Read the full article “Solomon, Socrates and Aristotle” by Theodore Feder online for free.

The eruption of Mt. Vesuvius that destroyed Pompeii, Herculaneum, Stabia and other nearby sites occurred, according to most commentators, on August 24 or 25 in 79 C.E. According to Seneca, the quakes lasted for several days.

But the dates are close enough to raise the question: Were these two catastrophic events connected, at least in the mind of some observers?

Buried by burning hot ash, Pompeii was completely destroyed in a matter of hours by the eruption of Mt. Vesuvius (seen in the background of this photo of Pompeii’s ruins). The manner of its demise also protected it, however. The city remained amazingly preserved for almost two millennia. When it began to be excavated in the late 19th century, the archaeologists revealed a first-century Roman city frozen in time—from the vivid frescoes on the walls of spacious villas to the loaves of bread left baking in the oven. Photo: © istockphoto.com/dhuss.

The volcanic eruption of Vesuvius has been graphically described by Dio Cassius in his Roman History:

The whole plain round about [Vesuvius] seethed and the summits leaped into the air. There were frequent rumblings, some of them subterranean, that resembled thunder, and some on the surface, that sounded like bellowings; the sea also joined in the roar and the sky re-echoed it. Then suddenly a portentous crash was heard, as if the mountains were tumbling in ruins; and first huge stones were hurled aloft, rising as high as the very summits, then came a great quantity of fire and endless smoke, so that the whole atmosphere was obscured and the sun was entirely hidden, as if eclipsed. Thus day was turned into night and light into darkness … [Some] believed that the whole universe was being resolved into chaos or fire .… While this was going on, an inconceivable quantity of ashes was blown out, which covered both sea and land and filled all the air … It buried two entire cities, Herculaneum and Pompeii … Indeed, the amount of dust, taken all together was so great that some of it reached Africa and Syria and Egypt, and it also reached Rome, filling the air overhead and darkening the sun. There, too, no little fear was occasioned, that lasted for several days, since the people did not know and could not imagine what had happened, but, like those close at hand, believed that the whole world was being turned upside down, that the sun was disappearing into the earth and that the earth was being lifted to the sky.²

The tone is plainly apocalyptic. And indeed Dio seems to have had this in mind. In the next paragraph he notes that the eruption consumed the temples of Serapis and Isis and Neptune and Jupiter Capitolinus, among others. It is almost as if some supreme God was at work.

Seventeen-year-old Pliny the Younger was an eyewitness to the eruption and described it in terms similar to Dio’s. In two surviving letters to Tacitus, Pliny also gives an account of the death of his famous uncle Pliny the Elder, author of the renowned Historia Naturalis. Pliny the Elder was at Misenum in his capacity as commander of the Roman fleet when the eruption began. He set sail to save some boatloads of people nearer Vesuvius and headed toward Stabia—to no avail. All perished, including Pliny, as his nephew recounts:

Ash was falling onto the ships, darker and denser the closer they went. Now it rains bits of pumice, and rocks that were burned and shattered by the fire … Broad sheets of flame were lighting up many parts of Vesuvius; their light and brightness were the more vivid for the darkness of the night … Buildings were being rocked by a series of strong tremors and appeared to have come loose from their foundations and to be sliding this way and that. Outside, however, there was danger from the rocks that were coming down …

It was daylight now elsewhere in the world, but there the darkness was darker and thicker than any night … Then came the smell of sulfur, announcing the flames, and the flames themselves …onto the ships, darker and denser the closer they went. Now it rains bits of pumice, and rocks that were burned and shattered by the fire … Broad sheets of flame were lighting up many parts of Vesuvius; their light and brightness were the more vivid for the darkness of the night … Buildings were being rocked by a series of strong tremors and appeared to have come loose from their foundations and to be sliding this way and that. Outside, however, there was danger from the rocks that were coming down …

[Then] came the dust, though still lightly. I looked back [from his flight from Misenum] … We had scarcely sat down when a darkness came that was not like a moonless or cloudy night, but more like the black of closed and unlighted rooms. You could hear women lamenting, children crying, men shouting.³

Then comes the same apocalyptic tone that we saw in Dio:

There were some so afraid of death that they prayed for death. Many raised their hands to the gods, and even more believed that there were no gods any longer and that this was the one last unending night for the world … I believed that I was perishing with the world, and the world with me, which was a great consolation for death.⁴

Did anyone connect all this to the Jewish God? To the Roman destruction of the Jerusalem Temple?

In a conversation with Harvard’s Shaye Cohen about something else, I offhandedly asked him if he knew of any ancient source that made the connection between the Vesuvius eruption and the destruction of the Temple. I had already asked this of several other scholars, but none had any sources for me, although they said there must be some. Shaye, however, immediately replied, “Try Book 4 of the Sibylline Oracles.” He was right on.

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Book 4 of the Sibylline Oracles is thought to be mostly Jewish oracles by a so-called sibyl (in Greek legend an aged woman who uttered ecstatic prophecies) that were composed shortly after the eruption of Vesuvius in 79. The oracles were preserved by Christians who believed they gave pagan testimony to the true religion and to Christ.⁵

Although composed after the event, it is written as a prediction:

An evil storm of war will also come upon Jerusalem
from Italy, and it will sack the great Temple of God …
A leader of Rome [Titus] will come … who will burn
the Temple of Jerusalem with fire [and] at the same time slaughter
many men and destroy the great land of the Jews.
…
When a firebrand, turned away from a cleft in the earth [Vesuvius]
in the land of Italy, reaches to broad heaven
it will burn many cities and destroy men.
Much smoking ashes will fill the great sky
and showers will fall from heaven like red earth.
Know then the wrath of the heavenly God.⁶

There is more—from Pompeii itself:

After the destruction, the site was subject to looting. And people who had managed to flee came back to see whether they could retrieve some of their possessions.

House 26 of Pompeii’s Region 9 Insula 1 seemed like all the other houses on the city block. Photo: Hershel Shanks.

One enters House 26 through a brick doorway near the insula’s elegant columned central courtyard. Photo: Hershel Shanks.

One such person came back to a house in an area of Pompeii designated today as Region 9, Insula 1, House 26. After having walked through the desolation of the city, he (unlikely to be a “she”) looked about and saw nothing but destruction where once there had been buildings and beautifully frescoed walls.

Disconsolate and aghast, he picked up a piece of charcoal and scratched on the wall in large black Latin letters:

SODOM GOMOR[RAH].⁷

As he saw it, the divine punishment of these two cursed Biblical cities was echoed in the rain of fire on Pompeii.⁸

On the wall of House 26, an ancient observer, viewing the aftermath of the eruption, scratched the words “Sodom and Gomor rah”—a poignant Biblical reference to God’s vengeance on the two sinful cities of Genesis 19. The barely visible inscription, which is now in the Naples Archaeological Museum, is also evidence that there were probably Jews living in Pompeii at the time. Photo: Luxus und Dekadenz, (Verlag Philipp Von Zabern, 2007).

The “Sodom and Gomorrah” inscription. Photo: Giordano and Kahn, The Jews in Pompeii, Herculaneum, Stabiae and in the Cities of Campania Felix (Bardi Editore, 2001).

The inscription was found in a 19th-century excavation at the site. I went to Pompeii to see the place where it was discovered. (The inscription itself is in the stores of the Naples Archaeological Museum; it is nearly illegible at this time.) In the center of the insula (a kind of city block) where it was found is a beautifully preserved columned atrium. House 26 is like the others in the insula—dark, destroyed, with vestiges of paintings on the walls, but mostly nothing.

The insula’s elegant columned central courtyard. Photo: Hershel Shanks.

It would seem that this inscriptional reference to Sodom and Gomorrah was the work of a Jew, which leads to the question whether there were Jews living in Pompeii. An indication that the answer is yes is a painting found in excellent condition on the walls of another, more elegant house. It is a painting of the Judgment of Solomon, deciding which of two women is the mother of the baby (1 Kings 3:16–28). The painting is the earliest known depiction of a Biblical scene and was the subject of a BAR article a couple of years ago.^a

House 26 opened into a smaller courtyard that led back to the private rooms of the domus. Photo: Hershel Shanks.

But there may also be other evidence that a community of Jews lived at Pompeii.

Garum was a very popular Roman delicacy, a fish sauce variously composed of different kinds of often-decomposed or fermented marine life and herbs and spices. Indeed, Pompeii was famous for its garum. According to Pliny the Elder, Pompeii “has a good reputation for its garum.”⁹ As if in confirmation of this observation, at least one store selling garum has been excavated in Pompeii. On the floor of the owner’s house (one Aulus Umbricius Scaurus) is a mosaic featuring labeled jars containing different kinds of garum.

Garum presented a problem for Jews, however—at least for those who kept the laws of kashrut (kosher laws). These Jews could not use garum that was made from fish without scales or from shellfish (see Deuteronomy 14:10 and Leviticus 11:10). Garum made from these products would not be kosher. Was there special kosher garum—garum made only from fish with scales?

A mosaic floor in the home of a man named Aulus Umbricius Scaurus depicts jars of garum ready for sale (Scaurus owned a store that sold garum). Because garum was made from all kinds of fish (including shellfish and fish without scales), kosher law prevented Jews from consuming most garum. Evidence of kosher garum (called garum castum or garum muria) suggests that there were enough Jews living in Pompeii to create a market for the special variety of kosher garum. Photo: Claus Ableiter.

The answer is yes, according to Pliny the Elder, who tells us that “another kind [of garum] is devoted to … Jewish rites, and is made from fish without scales.” Pliny obviously made a slip of the tongue here; he meant to say “fish with scales.” But it is clear that special garum, kosher garum, was indeed available to Jews.

And jars of kosher garum appear to have been found at Pompeii, although the matter is not without controversy. Among the garum amphorae from Pompeii several bear a label said to be kosher garum. The painted inscription on these jars consists of two Latin words, both incomplete:

GAR [or MUR]
CAST.

The first word could be completed as GAR[um] or MUR[ia]. Muria is also a kind of fish sauce, so it really doesn’t matter which it is.

The second word could be completed CAST[um] or CAST[imoniale]. Castum means “pure” or “chaste” or “innocent” or “spotless.” It could well refer to the purity of garum prepared for observant Jews. Castimoniale refers to bodily purity.¹⁰ But the inscription is on a jar of garum, so even if this is the correct reconstruction, it would seem to refer to a kind of special or pure garum.

In a recent, highly praised book on Pompeii, Cambridge University scholar Mary Beard concludes without qualification that this inscription was a designation for kosher garum. Beard refers to “a painted label advertising its contents as ‘Kosher Garum.’”¹¹ There are some doubters, however.

The chief doubter is Hannah Cotton, a prominent scholar at the Hebrew University. In her publication of a garum jar excavated at Masada in Israel, she cites supposedly “grave arguments” against the notion that garum castum was intended for Jews.¹² Pure garum, which is all that garum castum means, could be intended for other religious groups with food restrictions as well—the worshipers of Apis, Isis and Magna Mater, for instance. In this connection she cites an article by another distinguished scholar, Robert I. Curtis, professor of classics, now retired, at the University of Georgia and an authority both on Pompeii and garum.

Pompeii was well known for its production and trade of garum, a fish sauce considered a delicacy of the ancient Roman diet. Whole amphorae made for garum were also recovered from the site. Photo: Claus Ableiter.

I wondered about this. Did these pagan groups really have food laws similar to the Jews’? I contacted Professor Curtis, who wrote me: “[Professor Cotton] apparently misinterpreted what I had written. Perhaps I wasn’t very clear.”

Curtis continued: “The ancient sources on the cult practices of these pagan mystery cults are not very forthcoming, and the information that we do have is primarily from authors hostile to them. So, 100% certainty on matters regarding fasting and abstinence is impossible … I am not aware that followers of Isis, Magna Mater, etc. exercised restrictions of this kind [i.e., similar to the Jews]. They did, however, have abstinences of particular foods for limited periods of time, usually during recurring festivals … Recognizing a sauce as castum, therefore takes on more importance for [Jews]. Fish sauce producers, if they cared at all about catering to a specific clientele, even a small one, could, I think, have directed a specific product to them …”

Ever the careful scholar, however, Curtis nevertheless concludes that “I am still not able to state unequivocally that the expression garum castum was meant exclusively for Jews.”¹³ So the matter is not free from all doubt,¹⁴ but the presence of kosher garum at Pompeii is highly likely.

In any event, if there were Jews at Pompeii—and it seems there were—they may well have made the connection between the events of 70 and 79: God was indeed taking revenge against the Romans for destroying his Temple.

The oldest landscape painting in the world comes from Neolithic Çatalhöyük and shows a volcanic eruption. Discover this Neolitic artwork from the world’s best preserved proto-city.

Josephus: A Reliable Witness of the Temple’s Destruction?

Terrified Jews run for their lives as their fellows are trampled by Roman horses and smoke pours out of the Temple in this 1638 painting The Destruction of the Temple in Jerusalem by Titus by Nicolas Poussin. The violent and fiery destruction of the Temple in August 70 C.E. by Roman general Titus’s troops was graphically recounted by the first-century historian Flavius Josephus and is mourned by Jews every year on Tisha b’Av. Photo: Kunsthistoriches Museum, Vienna, Austria/The Bridgeman Art Library.

Writing in Rome under the auspices of the Romans after the Jewish revolt, Josephus makes Vespasian and Titus look like humanitarians: In destroying the Temple, the Romans were really doing God’s will. Titus would have spared the Temple. As the Roman soldiers were trying to extinguish the fire in the Temple, a stray Roman soldier, “moved by some supernatural impulse,” threw a firebrand through the golden door of the Temple. Even then Titus wanted to extinguish the conflagration. But his troops, moved only by their passion, could not hear him (Jewish War, 6.249–258). “Thus against Caesar’s wishes was the Temple set on fire” (Jewish War, 6.266).

Josephus says that God had given “all kinds of premonitory signs to [show] his people the way to salvation, while they owe their destruction to folly and calamities of their own choosing … Some of these portents they [the Jews] treated with contempt, until the ruin of their country and their own destruction convicted them of their folly” (Jewish War, 6.310, 315).

Thus Josephus—undoubtedly a highly biased interpretation of what happened.

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Notes

a. Theodore H. Feder, “Solomon, Socrates and Aristotle,” BAR, September/October 2008.

1. Jewish War, 6.244, 250, notes, tr. H. St. J. Thackeray.

2. Dio Cassius, Roman History, 66.22.3–23.5.

3. Pliny the Younger, Letters, 6.16, 6.20.

4. Pliny the Younger, Letters, 6.20.

5. See John J. Collins, “Sibylline Oracles,” Anchor Bible Dictionary (New York: Doubleday, 1992).

6. [vv. 115–116, 125–127, 130–135] John J. Collins, “Sibylline Oracles—A New Translation and Introduction,” in James H. Charlesworth, ed., The Old Testament Pseudepigrapha (New York: Doubleday, 1983), p. 387. Collins makes explicit in a footnote the clearly implied connection between the two events.

7. See Carlo Giordano and Isidoro Kahn, The Jews in Pompeii Heculaneum, Stabiae and in the Cities of Campania Felix 3rd ed., Wilhelmina F. Jashemski, trans. (Rome: Bardi Editore, 2003), pp. 75–76.

8. Another more ambiguous inscription was also found in the destruction of Pompeii, in Region 9, Insula 11, House 14, reading in Latin letters “Poinium Cherem.” Cherem could mean “excommunication” or “destruction” if the first letter is a het in Hebrew. But even cherem with a het could also mean consecrated to God, or holy. If the first meaning of cherem with a het was intended, this inscription, too, could refer to the destruction of Pompeii as God’s absolute condemnation of Pompeii for the prior Roman destruction of his Temple. The preceding Poinium presents a problem, however. Poinium could be the Latin form of a Greek noun ending in -nion, that is, poimnion, meaning “flock.” And the ch in cherem could also be a Latin transcription of Hebrew chaf as well as het, in which case cherem would mean “vineyard.” The writer of the inscription may have been using the imagery of the prophet Isaiah: Israel is “the flock of the Lord” (Isaiah 40:11); similarly, “the vineyard (cherem) of the Lord of Hosts is the House of Israel” (Isaiah 5:7). “In this sense the cherem of the inscription could be understood as the name of the Jewish community at Pompeii …” (Giordano and Kahn, The Jews in Pompeii, Herculaneum, Stabiae and in the Cities of Campania Felix, p. 99). On the other hand, poinium could also be understood as Greek poine, similar in meaning to the Latin poena; that is, punishment, which would fit nicely with the meaning of cherem as “destruction” or “excommunication.” See Giordano and Kahn, pp. 89–103, for an extended discussion of these issues.

9. Natural History, Book XXXI, pp. 931ff.

10. I am indebted to Philip King for these translations from the Latin.

11. Mary Beard, The Fires of Vesuvius (Cambridge, MA: Harvard Univ. Press, 2008), p. 24. See also p. 302.

12. Masada II, The Latin and Greek Documents, (Jerusalem: Israel Exploration Society, 1989), p. 166.

13. We have posted the full text of Professor Curtis’s response to me online at www.biblicalarchaeology.org/e-features.

14. Professor Cotton also cites in support of her contention J.B. Frey, “Les Juifs a Pompei,” Revue Biblique 32 (1933), p. 365. Frey makes similar arguments to that of Curtis. Moreover, he is unwilling even to admit that there were Jews in Pompeii or even that the quotation from Pliny demonstrates that the Jews had a special kosher garum. His argument decisif is that “aucune garantie donee par des paiens n’aurait suffi a des Juifs, car en pareille matiere la parole des Gentils ne pouvait faire foi” (at p. 373).

This Bible History Daily feature was originally published on February 20, 2014.

The post The Destruction of Pompeii—God’s Revenge? appeared first on Biblical Archaeology Society.

Israel’s most accursed queen carefully fixes a pink rose in her red locks in John Byam Liston Shaw’s “Jezebel” from 1896. Jezebel’s reputation as the most dangerous seductress in the Bible stems from her final appearance: her husband King Ahab is dead; her son has been murdered by Jehu. As Jehu’s chariot races toward the palace to kill Jezebel, she “painted her eyes with kohl and dressed her hair, and she looked out of the window” (2 Kings 9:30). Image: Russell-Cotes Art Gallery and Museum, Bournemouth, UK/Bridgeman Art Library.

For more than two thousand years, Jezebel has been saddled with a reputation as the bad girl of the Bible, the wickedest of women. This ancient queen has been denounced as a murderer, prostitute and enemy of God, and her name has been adopted for lingerie lines and World War II missiles alike. But just how depraved was Jezebel?

In recent years, scholars have tried to reclaim the shadowy female figures whose tales are often only partially told in the Bible. Rehabilitating Jezebel’s stained reputation is an arduous task, however, for she is a difficult woman to like. She is not a heroic fighter like Deborah, a devoted sister like Miriam or a cherished wife like Ruth. Jezebel cannot even be compared with the Bible’s other bad girls—Potiphar’s wife and Delilah—for no good comes from Jezebel’s deeds. These other women may be bad, but Jezebel is the worst.¹

Yet there is more to this complex ruler than the standard interpretation would allow. To attain a more positive assessment of Jezebel’s troubled reign and a deeper understanding of her role, we must evaluate the motives of the Biblical authors who condemn the queen. Furthermore, we must reread the narrative from the queen’s vantage point. As we piece together the world in which Jezebel lived, a fuller picture of this fascinating woman begins to emerge. The story is not a pretty one, and some—perhaps most—readers will remain disturbed by Jezebel’s actions. But her character might not be as dark as we are accustomed to thinking. Her evilness is not always as obvious, undisputed and unrivaled as the Biblical writer wants it to appear.

Ahab and Jezebel in the Bible

The story of Jezebel, the Phoenician wife of King Ahab of Israel, is recounted in several brief passages scattered throughout the Books of Kings. Scholars generally identify 1 and 2 Kings as part of the Deuteronomistic History, attributed either to a single author or to a group of authors and editors collectively known as the Deuteronomist. One of the main purposes of the entire Deuteronomistic History, which includes the seven books from Deuteronomy through 2 Kings, is to explain Israel’s fate in terms of its apostasy. As the Israelites settle into the Promised Land, establish a monarchy and separate into a northern and a southern kingdom after the reign of Solomon, God’s chosen people continually go astray. They sin against Yahweh in many ways, the worst of which is by worshiping alien deities. The first commandments from Sinai demand monotheism, but the people are attracted to foreign gods and goddesses. When Jezebel enters the scene in the ninth century B.C.E., she provides a perfect opportunity for the Bible writer to teach a moral lesson about the evil outcomes of idolatry, for she is a foreign idol worshiper who seems to be the power behind her husband. From the Deuteronomist’s viewpoint, Jezebel embodies everything that must be eliminated from Israel so that the purity of the cult of Yahweh will not be further contaminated.

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The legacy of Jezebel. “In the last days, the daughters of Jezebel shall rule over nations,” warns the scrawling inscription that surrounds the face of Jezebel in this 1993 painting by American folk artist Robert Roberg. The apocalyptic message seems to associate the Biblical queen with the “mother of whores and of abominations” who “rules over the kings of the earth” and who has committed fornication with them (Revelation 17:2, 5, 18).
Jezebel’s name appears once in the New Testament Book of Revelation, where it is attached to an unrepentant prophetess who has beguiled the people “to practice fornication and to eat food sacrificed to idols” (Revelation 2:20).
Yet the Book of Kings offers no hint of sexual impropriety on Queen Jezebel’s part, argues author Gaines. She is, if anything, a too-devoted wife, willing even to commit murder in order to help her husband maintain his authority as king. Image: Robert Roberg

As the Books of Kings recount, the princess Jezebel is brought to the northern kingdom of Israel to wed the newly crowned King Ahab, son of Omri (1 Kings 16:31). Her father is Ethbaal of Tyre, king of the Phoenicians, a group of Semites whose ancestors were Canaanites. Phoenicia consisted of a loose confederation of city-states, including the sophisticated maritime trade centers of Tyre and Sidon on the Mediterranean coast. The Bible writer’s antagonism stems primarily from Jezebel’s religion. The Phoenicians worshiped a swarm of gods and goddesses, chief among them Baal, the general term for “lord” given to the head fertility and agricultural god of the Canaanites. As king of Phoenicia, it is likely that Ethbaal was also a high priest or had other important religious duties. According to the first-century C.E. historian Josephus, who drew on a Greek translation of the now-lost Annals of Tyre, Ethbaal served as a priest of Astarte, the primary Phoenician goddess. Jezebel, as the king’s daughter, may have served as a priestess as she was growing up. In any case, she was certainly raised to honor the deities of her native land.

When Jezebel comes to Israel, she brings her foreign gods and goddesses—especially Baal and his consort Asherah (Canaanite Astarte, often translated in the Bible as “sacred post”)—with her. This seems to have an immediate effect on her new husband, for just as soon as the queen is introduced, we are told that Ahab builds a sanctuary for Baal in the very heart of Israel, within his capital city of Samaria: “He took as wife Jezebel daughter of King Ethbaal of the Phoenicians, and he went and served Baal and worshiped him. He erected an altar to Baal in the temple of Baal which he built in Samaria. Ahab also made a ‘sacred post’”^a (1 Kings 16:31–33).²

Jezebel does not accept Ahab’s God, Yahweh. Rather, she leads Ahab to tolerate Baal. This is why she is vilified by the Deuteronomist, whose goal is to stamp out polytheism. She represents a view of womanhood that is the opposite of the one extolled in characters such as Ruth the Moabite, who is also a foreigner. Ruth surrenders her identity and submerges herself in Israelite ways; she adopts the religious and social norms of the Israelites and is universally praised for her conversion to God. Jezebel steadfastly remains true to her own beliefs.

Jezebel’s marriage to Ahab was a political alliance. The union provided both peoples with military protection from powerful enemies as well as valuable trade routes: Israel gained access to the Phoenician ports; Phoenicia gained passage through Israel’s central hill country to Transjordan and especially to the King’s Highway, the heavily traveled inland route connecting the Gulf of Aqaba in the south with Damascus in the north. But although the marriage is sound foreign policy, it is intolerable to the Deuteronomist because of Jezebel’s idol worship.

The Bible does not comment on what the young Jezebel thinks about marrying Ahab and moving to Israel. Her feelings are of no interest to the Deuteronomist, nor are they germane to the story’s didactic purpose.

To learn more about Biblical women with slighted traditions, take a look at the Bible History Daily feature Scandalous Women in the Bible, which includes articles on Mary Magdalene and Lilith.

We are not told whether Ethbaal consults his daughter, if she departs Phoenicia with trepidation or enthusiasm, or what she expects from her role as ruler. Like other highborn daughters of her time, Jezebel is probably a pawn, packed off to the highest bidder.

Israel’s topography, customs and religion would certainly be very different from those of Jezebel’s native land. Instead of the lushness of the moist seacoast, she would find Israel to be an arid, desert nation.

Furthermore, the Torah shows the Israelites to be an ethnocentric, xenophobic people. In Biblical narratives, foreigners are sometimes unwelcome, and prejudice against intermarriage is seen since the day Abraham sought a woman from his own people to marry his son Isaac (Genesis 24:4). In contrast to the familiar gods and goddesses that Jezebel is accustomed to petitioning, Israel is home to a state religion featuring a lone, masculine deity. Perhaps Jezebel optimistically believes that she can encourage religious tolerance and give legitimacy to the worship habits of those Baalites who already reside in Israel. Perhaps Jezebel sees herself as an ambassador who could help unite the two lands and bring about cultural pluralism, regional peace and economic prosperity.

What spurs Jezebel to action is unknown and unknowable, but the motives of the Deuteronomist come through plainly in the text. Jezebel is a bold and impious interloper who has to be stopped. From her own point of view, however, she is no apostate. She remains loyal to her religious upbringing and is determined to maintain her cultural identity.

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The threat of Jezebel is so great that later in the same chapter, the mythic prophet Elijah summons the acolytes of Jezebel to a tournament on Mt. Carmel to determine which deity is supreme: God or Baal.

Whichever deity is capable of setting a sacrificial bull on fire will be the winner, the one true God. It is only then that we learn just how many followers of Jezebel’s gods and goddesses are near her at court. Elijah challenges them: “Now summon all Israel to join me at Mount Carmel, together with the four hundred and fifty prophets of Baal and the four hundred prophets of Asherah who eat at Jezebel’s table” (1 Kings 18:19). Whether the grand total of 850 is a symbolic or literal number, it is impressive.

Glass jewels and glitter adorn the veiled crown of Jezebel and twisted branches speckled with paint form the queen’s body in this sculpture by Bessie Harvey. Photo by Ron Lee, The Silver Factory/The Arnett Collection, Atlanta, GA

Detail of veiled crown of Jezebel (compare with photo of veiled crown of Jezebel). Photo by Ron Lee, The Silver Factory/The Arnett Collection, Atlanta, GA.

Yet their superior numbers can do nothing to ensure victory; nor can petitions to their god. The prophets of Baal “performed a hopping dance about the altar” and “kept raving” (1 Kings 18:26, 29) all day long in a vain attempt to rouse Baal. They even gash themselves with knives and whoop it up in a heightened emotional state, hoping to incite Baal to unleash a great fire. But Baal does not respond to the ecstatic ranting of Jezebel’s prophets. At the end of the day, it is Elijah’s single plea to God that is answered.

Learn about the excavations at Jezreel in “Jezreel Expedition 2016: You Don’t Have to Be an Archaeologist to Dig the Bible“ and “Jezreel Expedition Sheds New Light on Ahab and Jezebel’s City“.

Standing alone before Jezebel’s host of visionaries, Elijah cries out: “O Lord, God of Abraham, Isaac, and Israel! Let it be known today that You are God in Israel and that I am Your servant, and that I have done all these things at Your bidding. Answer me, O Lord, answer me, that this people may know that You, O Lord, are God; for You have turned their hearts backward” (1 Kings 18:36–37). At once, “fire from the Lord descended and consumed the burnt offering, the wood, the stones and the earth;…When they saw this, all the people flung themselves on their faces and cried out: ‘The Lord alone is God, the Lord alone is God!’” (1 Kings 18:38–39). Elijah’s solitary entreaty to Yahweh serves as a foil to the hours of appeals made by Baal’s followers.

Jezebel herself is absent during this all-male event. Nevertheless, her presence is felt and the Deuteronomist’s message is clear. Jezebel’s deities and the huge number of prophets loyal to her are powerless against the omnipotent Yahweh, who is proven by the tournament to be ruler of all the forces of nature.

Ironically, at the conclusion of the Carmel episode, Elijah proves capable of the same murderous inclinations that have previously characterized Jezebel, though it is only she that the Deuteronomist criticizes. After winning the Carmel contest, Elijah immediately orders the assembly to capture all of Jezebel’s prophets. Elijah emphatically declares: “Seize the prophets of Baal, let not a single one of them get away” (1 Kings 18:40). Elijah leads his 450 prisoners to the Wadi Kishon, where he slaughters them (1 Kings 18:40). Though they will never meet in person, Elijah and Jezebel are engaged in a hard-fought struggle for religious supremacy. Here Elijah reveals that he and Jezebel possess a similar religious fervor, though their loyalties differ greatly. They are also equally determined to eliminate one another’s followers, even if it means murdering them. The difference is that the Deuteronomist decries Jezebel’s killing of God’s servants (at 1 Kings 18:4) but now sanctions Elijah’s decision to massacre hundreds of Jezebel’s prophets. Indeed, once Elijah kills Jezebel’s prophets, God rewards him by sending a much-needed rain, ending a three-year drought in Israel. There is a definite double standard here. Murder seems to be accepted, even venerated, as long as it is done in the name of the right deity.

After Elijah’s triumph on Mt. Carmel, King Ahab returns home to give his queen the news that Baal is defeated, Yahweh is the undisputed master of the universe and Jezebel’s prophets are dead. Jezebel sends Elijah a menacing message, threatening to slaughter him just as he has slaughtered her prophets: “Thus and more may the gods do if by this time tomorrow I have not made you like one of them” (1 Kings 19:2). The Septuagint, a third- to second-century B.C.E. Greek translation of the Hebrew Bible, prefaces Jezebel’s threat with an additional insult to the prophet. Here Jezebel establishes herself as Elijah’s equal: “If you are Elijah, so I am Jezebel” (1 Kings 19:2^b).³ In both versions the queen’s meaning is unmistakable: Elijah should fear for his life.

These are the first words the Deuteronomist records from Jezebel, and they are filled with venom. Unlike the many voiceless Biblical wives and concubines whose muteness reminds us of the powerlessness of women in ancient Israel, Jezebel has a tongue. While her verbal acuity shows that she is more daring, clever and independent than most women of her time, her withering words also demonstrate her sinfulness. Jezebel transforms the precious instrument of language into an evil device to blaspheme God and defy the prophet.

So frightened is Elijah by Jezebel’s threatening words that he flees to Mt. Horeb (Sinai). Despite what he has witnessed on Carmel, Elijah seems to falter in his faith that the Almighty will protect him. As a literary device, Elijah’s sojourn at Horeb gives the Deuteronomist an opportunity to imply parallels between the careers of Moses and Elijah, thus reinforcing Elijah’s exalted reputation. Nevertheless, the timing of Elijah’s flight south makes him look suspiciously like he is afraid of a mere woman.

Jezebel indeed shows herself as a person to be feared in the next episode. The story of Naboth, an Israelite who owns a plot of land adjacent to the royal palace in Jezreel, provides an excellent occasion for the Deuteronomist to propose that Jezebel is not only the foe of Israel’s God, but an enemy of the government.

In 1 Kings 21:2, Ahab requests that Naboth give him his vineyard: “Give me your vineyard, so that I may have it as a vegetable garden, since it is right next to my palace.” Ahab promises to pay Naboth for the land or to provide him with an even better vineyard. But at 1 Kings 21:3, Naboth refuses to sell or trade: “The Lord forbid that I should give up to you what I have inherited from my fathers!” The king whines and refuses to eat after Naboth’s rebuff: “Ahab went home dispirited and sullen because of the answer that Naboth the Jezreelite had given him…He lay down on his bed and turned away his face, and he would not eat” (1 Kings 21:4). Apparently perturbed by her husband’s political impotence and sulking demeanor, Jezebel steps in, proudly asserting: “Now is the time to show yourself king over Israel. Rise and eat something, and be cheerful; I will get the vineyard of Naboth the Jezreelite for you” (1 Kings 21:7).

Naboth is fully within his rights to hold onto his family plot. Israelite law and custom dictate that his family should maintain their land (nachalah) in perpetuity (Numbers 27:5–11). As a Torah-bound king of Israel, Ahab should understand Naboth’s legitimate desire to keep his inheritance. Jezebel, on the other hand, hails from Phoenicia, where a monarch’s whim is often tantamount to law.⁴ Having been raised in a land of absolute autocrats, where few dared to question a ruler’s wish or decree, Jezebel might naturally feel annoyance and frustration at Naboth’s resistance to his sovereign’s proposal. In this context, Jezebel’s reaction becomes more understandable, though perhaps no more admirable, for she behaves according to her upbringing and expectations regarding royal prerogative.

Elijah’s challenge of “the 450 prophets of Baal and the 400 prophets of Asherah who eat at Jezebel’s table” (1 Kings 18:19) is depicted in two scenes on the walls of the third-century C.E. synagogue at Dura-Europos in modern Syria. According to 1 Kings 18, Elijah proposed that both he and the prophets of Baal lay a single bull on an altar and then pray to their respective deities to ignite the sacrificial animal. Whichever deity responded would be deemed the more powerful and the one true God. In the painting shown here, the priests of Baal gather around their altar, crying out, “O, Baal, answer us,” but their sacrifice remains untouched. The small man standing inside the altar in this painting does not appear in the Biblical story, but rather in a later midrash. According to this midrash, when the prophets of Baal realized they would fail, a man named Hiel agreed to hide within the altar to ignite the heifer from below. The Israelite God foiled their plan by sending a snake to bite Hiel, who subsequently died. Image: E. Goodenough, Symbolism in the Dura Synogogue (Princeton Univ. Press)

Without Ahab’s direct knowledge, Jezebel writes letters to her townsmen, enlisting them in an elaborate ruse to frame the innocent Naboth. To ensure their compliance, she signs Ahab’s name and stamps the letters with the king’s seal. Jezebel encourages the townsmen to publicly (and falsely) accuse Naboth of blaspheming God and king. “Then take him out and stone him to death,” she commands (1 Kings 21:10). So Naboth is murdered, and the vineyard automatically escheats to the throne, as is customary when a person is found guilty of a serious crime. If Naboth has relatives, they are now in no position to protest the passing of their family land to Ahab.

Yet the details of Jezebel’s underhanded plot against Naboth do not always ring true. The Bible maintains that “the elders and nobles who lived in [Naboth’s] town…did as Jezebel had instructed them” (1 Kings 21:11). If the trickster queen is able to enlist the support of so many people, none of whom betrays her, to kill a man whom they have probably known all their lives and whom they realize is innocent, then she has astonishing power.

The fantastical tale of Naboth’s death—in which something could go wrong at any moment but somehow does not—stretches the reader’s credulity. If Jezebel were as hateful as the Deuteronomist claims, surely at least one nobleman in Jezreel would have refused to assist in the nefarious scheme. Surely one individual would have had the courage to expose the detestable deed and become the Deuteronomist’s hero by spoiling the plan.⁵

Shown here, Elijah and his followers have easily conjured up a blazing fire, which engulfs their white bull. Seeing the flames, the Israelites call out, “Yahweh alone is God, Yahweh alone is God” (1 Kings 18:39).
Jezebel herself is not present during the event. And yet Elijah’s contest is a direct challenge to the queen who has brought the worship of Baal to the forefront in Israel by inviting the pagan prophets to the palace (compare with painting of the priests of Baal). Image: The Jewish Mesuem, NY/Art Resource, NY.

Perhaps the Biblical compiler is using Jezebel as a scapegoat for his outrage at her influence over the king, meaning that she herself is being framed in the tale. Traditionally thought to be a narrative about how innocent Naboth is falsely accused, the story could instead be an exaggeration of fact, fabricated to demonstrate the Deuteronomist’s continued wrath against Jezebel.

As a result of this incident, Elijah reappears on the scene. First Yahweh tells Elijah how Ahab will die: “The word of the Lord came to Elijah the Tishbite: ‘Go down and confront King Ahab of Israel who [resides] in Samaria. He is now in Naboth’s vineyard; he has gone down there to take possession of it. Say to him, “Thus said the Lord: Would you murder and take possession? Thus said the Lord: In the very place where the dogs lapped up Naboth’s blood, the dogs will lap up your blood too”’” (1 Kings 21:17–19). But when Elijah confronts Ahab, the prophet predicts instead how the queen will die: “The dogs shall devour Jezebel in the field of Jezreel” (1 Kings 21:23).^c Poetic justice, as the Deuteronomist sees it, demands that Jezebel end up as dog food. Ashamed of what has happened and fearful of the future, Ahab humbles himself by assuming outward signs of mourning, fasting and donning sackcloth. Prayer accompanies fasting, whether the Bible explicitly says so or not, so we may assume that Ahab raises his penitential voice to a forgiving Yahweh. For once, Jezebel does not speak; her lack of repentance is implicit in her silence.

After the Death of Ahab: The Ill Repute of Jezebel in the Bible

When Jezebel’s name is mentioned again, the Bible writer makes his most alarming accusation against her. Ahab has died, as has the couple’s eldest son, who followed his father to the throne. Their second son, Joram, rules. But even though Israel has a sitting monarch, a servant of the prophet Elisha crowns Jehu, Joram’s military commander, king of Israel and commissions Jehu to eradicate the House of Ahab: “I anoint you king over the people of the Lord, over Israel. You shall strike down the House of Ahab your master; thus will I avenge on Jezebel the blood of My servants the prophets, and the blood of the other servants of the Lord” (2 Kings 9:6–7).

Four paleo-Hebrew letters—two just below the winged sun disk at center, two at bottom left and right—spell out the name YZBL, or Jezebel, on this seal. The Phoenician design, the dating of the seal to the ninth or early eighth century B.C.E. and, of course, the name, have led scholars to speculate that the Biblical queen may once have used this gray opal to seal her documents. In the Phoenician language, Jezebel’s name may have meant “Where is the Prince?” which was the cry of Baal’s subjects. But the spelling of the Phoenician name has been altered in the Hebrew Bible, perhaps in order to read as “Where is the excrement (zebel, manure)?”—a reference to Elijah’s prediction that “her carcass shall be like dung on the ground” (2 Kings 9:36). Collection Israel Museum/Photo Zev Radovan.

King Joram and General Jehu meet on the battlefield. Unaware that he is about to be usurped by his military commander, Joram calls out: “Is all well, Jehu?” Jehu responds: “How can all be well as long as your mother Jezebel carries on her countless harlotries and sorceries?” (2 Kings 9:22). Jehu then shoots an arrow through Joram’s heart and, in a moment of stinging irony, orders the body to be dumped on Naboth’s land.

From these words alone—uttered by the man who is about to kill Jezebel’s son—stems Jezebel’s long-standing reputation as a witch and a whore. The Bible occasionally connects harlotry and idol worship, as in Hosea 1:3, where the prophet is told to marry a “wife of whoredom,” who symbolically represents the people who “stray from following the Lord” (Hosea 1:3). Lusting after false “lords” can be seen as either adulterous or idolatrous. Yet throughout the millennia, Jezebel’s harlotry has not been identified as mere dolatry. Rather, she has been considered the slut of Samaria, the lecherous wife of a pouting potentate. The 1938 film Jezebel, starring Bette Davis as the destructive temptress who leads a man to his death, is evidence that this ancient judgment against Jezebel has been transmitted to this century. Nevertheless, the Bible never offers evidence that Jezebel is unfaithful to her husband while he is alive or loose in her morals after his death. In fact, she is always shown to be a loyal and helpful spouse, though her brand of assistance is deplored by the Deuteronomist. Jehu’s charge of harlotry is unsubstantiated, but it has stuck anyway and her reputation has been egregiously damaged by the allegation.

When Jezebel herself finally appears again in the pages of the Bible, it is for her death scene. Jehu, with the blood of Joram still on his hands, races his chariot into Jezreel to continue the insurrection by assassinating Jezebel. Ironically, this is her finest hour, though the Deuteronomist intends the queen to appear haughty and imperious to the end. Realizing that Jehu is on his way to kill her, Jezebel does not disguise herself and flee the city, as a more cowardly person might do. Instead, she calmly prepares for his arrival by performing three acts: “She painted her eyes with kohl and dressed her hair, and she looked out of the window” (2 Kings 9:30). The traditional interpretation is that Jezebel primps and coquettishly looks out the window in an effort to seduce Jehu, that she wishes to win his favor and become part of his harem in order to save her own life, such treachery indicating Jezebel’s dastardly betrayal of deceased family members. According to this reading, Jezebel sheds familial loyalty as easily as a snake sheds its skin in an attempt to ensure her continued pleasure and safety at court.

This ivory comes from Arslan Tash, in northern Syria. The most common motif found on Phoenician ivories, the woman at the window may represent the goddess Astarte (Biblical Asherah) looking out a palace window. Perhaps this widespread imagery influenced the Biblical author’s description of Jezebel, a follower of Astarte, looking out the palace window as Jehu approached (2 Kings 9:30). Photo: Erich Lessing

Ivory fragment discovered in Samaria (compare with photo of ivory from Arslan Tash). Photo: Israel Antiquities Authority.

Applying eye makeup (kohl) and brushing one’s hair are often connected to flirting in Hebraic thinking. Isaiah 3:16, Jeremiah 4:30, Ezekiel 23:40 and Proverbs 6:24–26 provide examples of women who bat their painted eyes to lure innocent men into adulterous beds. Black kohl is widely incorporated in Bible passages as a symbol of feminine deception and trickery, and its use to paint the area above and below the eyelids is generally considered part of a woman’s arsenal of artifice. In Jezebel’s case, however, the cosmetic is more than just an attempt to accentuate the eyes. Jezebel is donning the female version of armor as she prepares to do battle. She is a woman warrior, waging war in the only way a woman can. Whatever fear she may have of Jehu is camouflaged by her war paint.

Her grooming continues as she dresses her hair, symbol of a woman’s seductive power. When she dies, she wants to look her queenly best. She is in control here, choosing the manner in which her attacker will last see and remember her.

The third action Jezebel takes before Jehu arrives is to sit at her upper window. The Deuteronomist may be deliberately conjuring up images to associate Jezebel with other disfavored women. For example, contained within Deborah’s victory ode is the story of the unfortunate mother of the enemy general Sisera. Waiting at home, Sisera’s unnamed mother looks out the window for her son to return: “Through the window peered Sisera’s mother, behind the lattice she whined” (Judges 5:28). Her ladies-in-waiting express the hope that Sisera is detained because he is raping Israelite women and collecting booty (Judges 5:29–30). In truth, Sisera is already dead, his skull shattered by Jael and her tent peg (Judges 5:24–27). King David’s wife Michal also looks through her window, watching her husband dance around the Ark of the Covenant as it is triumphantly brought into Jerusalem, “and she despised him for it” (2 Samuel 6:16). Michal does not understand the people’s euphoria over the arrival of the Ark in David’s new capital; she can only feel anger that her husband is dancing about like one of the “riffraff” (2 Samuel 6:20). Generations later, Jezebel also appears at her window, conjuring up images of Sisera’s mother and Michal, two unpopular Biblical women.

The image of the woman at the window also suggests fertility goddesses, abominations to the Deuteronomist and well known to the general public in ancient Israel. Ivory plaques, dating to the Iron Age and depicting a woman peering through a window, have been discovered in Khorsabad, Nimrud and Samaria, Jezebel’s second home.⁶ The connection between idol worship, goddesses and the woman seated at the window would not have been lost on the Deuteronomist’s audience.

Sitting at her window, Jezebel is seemingly rendered powerless while the active patriarchal world functions beyond her reach.⁷ But a more sympathetic reading of the situation suggests that Jezebel has determined the superior angle from which she will be viewed by Jehu, thus giving the queen mastery of the situation.

Positioned at the balcony window, the queen does not remain silent as the usurper Jehu arrives into town. She taunts him by calling him Zimri, the name of the unscrupulous predecessor of Omri, Jezebel’s father-in-law. Zimri ruled Israel for only seven days after murdering the king (Elah) and usurping the throne. “Is all well, Zimri, murderer of your master?” Jezebel asks Jehu (2 Kings 9:31). Jezebel knows that all is not well, and her sarcastic, sharp-tongued insult of Jehu disproves any interpretation that she has dressed in her finest to seduce him. She has contempt for Jehu. Unlike many Biblical wives, who remain silent, Jezebel has a distinct voice, and she is unafraid to articulate her view of Jehu as a renegade and regicide.

To demonstrate his authority, Jehu orders Jezebel’s eunuchs to throw her out of the window: “They threw her down; and her blood spattered on the wall and on the horses, and they trampled her. Then [Jehu] went inside and ate and drank” (2 Kings 9:33–34). In this highly symbolic political action, the once mighty Jezebel is shoved out of her high station to the ground below. Her ejection from the window represents an eternal demotion from her proper place as one of the Bible’s most influential women.

Jezebel’s body is left in the street as Jehu celebrates his victory. Later, perhaps because the new monarch does not wish to begin his reign with such a disrespectful act against a woman, or perhaps because he realizes the danger in setting a precedent for ill treatment of a dead ruler’s remains, Jehu orders Jezebel’s burial: “Attend to that cursed woman and bury her, for she was a king’s daughter” (2 Kings 9:34). Jezebel is not to be remembered as a queen or even as the wife of a king. She is only the daughter of a foreign despot. This is intended as another blow by the Deuteronomist, an attempt to marginalize a formidable woman.

When the king’s men come to bury Jezebel, it is too late: “All they found of her were the skull, the feet, and the hands” (2 Kings 9:35). Jehu’s men inform the king that Elijah’s prophecies have been fulfilled: “It is just as the Lord spoke through His servant Elijah the Tishbite: The dogs shall devour the flesh of Jezebel in the field of Jezreel; and the carcass of Jezebel shall be like dung on the ground, in the field of Jezreel, so that none will be able to say: ‘This was Jezebel’” (2 Kings 9:36–37).

How Bad Was Jezebel?

With its green hills, fecund grapevines and abundant flowers, the scene depicted in this early-17th-century silk embroidery would appear peaceful—if not for the gruesome detail at left, which shows a woman being pushed out the palace window to a pack of hungry dogs. According to 2 Kings 9, Jehu orders the palace eunuchs to throw Jezebel out a window. When he later commands his men to bury her, little remains: “All they found of her were the skull, the feet and the hands” (2 Kings 9:35). Jehu’s men inform the new king that Elijah’s prophecies have been fulfilled: The queen’s corpse has been devoured by dogs; her body is mutilated beyond recognition, so that “none will be able to say ‘This was Jezebel’” (2 Kings 9:37). Death of Jezebel/Holburne Museum, Bath, UK/Bridgeman Art Library

While the Biblical storyteller wants the final images of Jezebel to memorialize her as a brazen hussy, a sympathetic interpretation of her behavior has more credibility. When all a person has left in life is the way she faces her death, her final actions speak volumes about her character. Jezebel departs this earth every inch a queen. Now an aging grandmother, it is highly unlikely that she has libidinous designs on Jehu or even entertains the notion of becoming the young king’s paramour. As the daughter, wife, mother, mother-in-law and grandmother of kings, Jezebel would understand court politics well enough to realize that Jehu has far more to gain by killing her than by keeping her alive. Alive, the dowager queen could always serve as a rallying point for anyone unhappy with Jehu’s reign. The queen harbors no illusions about her chances of surviving Jehu’s bloody coup d’état.

How bad was Jezebel? The Deuteronomist uses every possible argument to make the case against her. When Ahab dies, the Deuteronomist is determined to show that “there never was anyone like Ahab, who committed himself to doing what was displeasing to the Lord, at the instigation of his wife Jezebel” (1 Kings 21:25). It is interesting that Ahab is not held responsible for his own actions.⁸ He goes astray because of a wicked woman. Someone has to bear the writer’s vituperation concerning Israel’s apostasy, and Jezebel is chosen for the job.
Every Biblical word condemns her: Jezebel is an outspoken woman in a time when females have little status and few rights; a foreigner in a xenophobic land; an idol worshiper in a place with a Yahweh-based, state-sponsored religion; a murderer and meddler in political affairs in a nation of strong patriarchs; a traitor in a country where no ruler is above the law; and a whore in the territory where the Ten Commandments originate.

Yet there is much to admire in this ancient queen. In a kinder analysis, Jezebel emerges as a fiery and determined person, with an intensity matched only by Elijah’s. She is true to her native religion and customs. She is even more loyal to her husband. Throughout her reign, she boldly exercises what power she has. And in the end, having lived her life on her own terms, Jezebel faces certain death with dignity.

“How Bad Was Jezebel?” by Janet Howe Gaines originally appeared in Bible Review, October 2000. The article was first republished in Bible History Daily in June 2010.

Janet Howe Gaines is a specialist in the Bible as literature in the Department of English at the University of New Mexico. She published Music in the Old Bones: Jezebel Through the Ages (Southern Illinois Univ. Press).

Notes

a. Asherah is the Biblical name for Astarte, a Canaanite fertility goddess and consort of Baal. The term asherah, which appears at least 50 times in the Hebrew Bible (it is often translated as “sacred post”), is used to refer to three manifestations of this goddess: an image (probably a figurine) of the goddess (eg., 2 Kings 21:7); a tree (Deuteronomy 16:21); and a tree trunk, or sacred post (Deuteronomy 7:5, 12:3). See Ruth Hestrin, “Understanding Asherah—Exploring Semitic Iconography,” BAR, September/October 1991.

b. In the Septuagint, 1 and 2 Samuel and 1 and 2 Kings are all included in Kings, which therefore has four books, 1–4 Kings.

c. A similar statement is made by the unnamed prophet who anoints Jehu king of Israel in 2 Kings 9:10.

1. For a fuller treatment of Jezebel, see Janet Howe Gaines, Music in the Old Bones: Jezebel Through the Ages (Carbondale, IL: Southern Illinois Univ. Press, 1999).

2. All references to the Bible, unless otherwise noted, are to Tanakh: The Holy Scriptures: The New JPS Translation According to the Traditional Hebrew Text (Philadelphia: Jewish Publication Society, 1985).

3. The translation of the Greek text is my own. According to Sir Lancelot C.L. Brenton (The Septuagint with Apocrypha: Greek and English, 3rd ed. [Peabody, MA: Hendrickson, 1990], p. 478), the translation of the entire line is “And Jezabel sent to Eliu, and said, If thou art Eliu and I am Jezabel, God do so to me, and more also, if I do not make thy life by this time tomorrow as the life of one of them.”

4. For a discussion of Phoenician customs, see George Rawlinson, History of Phoenicia (London: Longmans, 1889).

5. As corroborating evidence, see the story of David’s plot to kill Uriah the Hittite in 2 Samuel 11:14–17. Like Jezebel, David writes letters that contain details of his scheme. David intends to enlist help from the entire regiment as confederates who are to “draw back from” Uriah, but Joab makes a shrewd and subtle change in the plan so that it is less likely to be discovered.

6. Eleanor Ferris Beach, “The Samaria Ivories, Marzeah, and Biblical Text,” Biblical Archaeologist 56:2 (1993), pp. 94–104.

7. For an excellent, detailed discussion of Biblical imagery concerning women seated at windows, see Nehama Aschkenasy, Woman at the Window (Detroit: Wayne State Univ. Press, 1998).

8. For a reassessment of Ahab’s character based on the archaeological remains of his building projects and extrabiblical texts, see Ephraim Stern, “The Many Masters of Dor, Part 2: How Bad Was Ahab?” BAR, March/April 1993.

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